Tag Archives: 2018

Roanoke, Virginia, November 2018 (3)

The Wall Street here has a different feel to it than the Wall Street in New York.

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Getting into the spirit of things …

I just need a Halloween horror playlist, though.  I’ve already seen this year’s “Castle Rock” and (of course) the second season of “Mr. Mercedes.”

“Vampire” (1979) and “The Last Broadcast” (1998) both come highly recommended by some horror-fan friends that I truly trust.  I also believe that I have never seen any of the classic Universal Studios monster movies in their entirety.  I’ve watched bits and pieces of a couple of them on television when I was a young kid, including “Creature From the Black Lagoon” (1954) and “The Invisible Man” (1933).  When I was a tot in the very late 70’s, the studio’s Gothic monsters were still very much a part of the zeitgeist … my older brother even had the Aurora model kits.  I finally enjoyed F. W. Murnau’s “Nosferatu” for the first time a couple of years ago, but of course the 1921 German film preceded the Universal movies, which re-imagined Bram Stoker’s “Dracula” entirely in 1931.

I’ll probably start first by trying to hunt down a copy of “The Wolf Man” (1941).  That’s the one that other everyone always recommends.

 

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It’s pumpkin season in Roanoke, Virginia.

October 2018.

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Cover to “The Life of Captain Marvel” #1, Julian Tedesco, 2018

Marvel Comics.

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Is it too early for Halloween decorations?

Probably.  But these were too cool not to put up as soon as possible.  As you might remember from last year, they’re handmade by a sublimely talented craftswoman I know who has a truly macabre touch.  They’re much better than anything store-bought.

 

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Variant Cover to “The Life of Captain Marvel” #1, Fiona Staples, 2018

Marvel Comics.

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Roanoke, Virginia, September 2018

Vicinity of the intersection of Campbell Avenue and Jefferson Street.

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A short review of “Bad Samaritan” (2018)

As I believe I may have mentioned, I have a love-hate relationship with David Tennant’s onscreen performances.  I find him inexplicably, positively grating whenever he plays a protagonist.  (See 2011’s “Fright Might” remake, or his cringe-inducing stint as “Doctor Who.”)  But it seems to me that the man is absolutely fantastic when he plays a bad guy.  (See his frightening and hilarious role as Kilgrave the first season of “Jessica Jones” in 2015.)

“Bad Samaritan” (2018) thankfully presents us with the latter Tennant.  He musters an intensity with his eyes and his voice that are incongruous counterpoints to his innocent-looking face, and this makes him a damned good antagonist in a thriller.  (He is a highly organized, sociopathic kidnapper in this film.  I don’t think that’s much of a spoiler, as all of the film’s marketing make it clear.)  He’s a hell of a lot of fun to watch — and listen to.

With that said, “Bad Samaritan” is an average movie — not altogether bad, but not awesomely good, either.  (I suppose I’d rate it a 7 out of 10.)  It benefits a lot from another very good actor in Robert Sheehan as its anti-heroic young protagonist.  (The plot setup here is interesting — a mild-mannered burglar discovers a psychopath’s captive while in his house, then struggles with how he can help the terrified victim of a far worse criminal than he is.)  The movie’s biggest sin seems to be that it borrows heavily from comparable genre-defining works from the likes of Thomas Harris and James Patterson.  But it’s still an enjoyable enough movie in its own right.

There’s someone else here that’s great fun to watch too — Kerry Condon as the kidnapee.  Her voice is amazing, and she’s a superb actress; I think she’s strong enough to carry another movie like this.  I just knew she looked familiar … it turns out she played Clara, the really weird woman that Rick found in the woods during Season 3 of “The Walking Dead.”  (He asks her the show’s signature “three questions.”)

She is also to voice of F.R.I.D.A.Y., Tony Stark’s on-board A.I. in several of Marvel’s “Avengers” movies.  Didn’t see that one coming.  Weird world.

 

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Eric Robert Nolan nominated for the Sundress Publications 2018 Best of the Net Anthology

I am honored today to share some wonderful news — my colleagues over at The Bees Are Dead have graciously nominated a short story of mine for the Sundress Publications 2018 Best of the Net Anthology.

The title of the story is “At the End of the World, My Daughter Wept Metal,” and it was published last August over at the B.A.D. website.  (You can find it right here.)  It is an apocalyptic sci-fi horror tale in which nanotechnology is used for an astonishing medical breakthrough  — but then goes horribly, catastrophically wrong.

I would like to thank B.A.D. Editors Philippe Atherton-Blenkiron and Dennis Villelmi for the nomination and their invaluable support for my work.  I am truly grateful.

 

 

 

The green and sweeping fields of Southwest Virginia

At the threshold of a summer thunderstorm. August 2018.

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