Tag Archives: 2018

It’s pumpkin season in Roanoke, Virginia.

October 2018.

20181004_155625

20181004_155635

20181004_155649

 

Cover to “The Life of Captain Marvel” #1, Julian Tedesco, 2018

Marvel Comics.

unnamed

Is it too early for Halloween decorations?

Probably.  But these were too cool not to put up as soon as possible.  As you might remember from last year, they’re handmade by a sublimely talented craftswoman I know who has a truly macabre touch.  They’re much better than anything store-bought.

 

20180926_173338

20180926_173349

20180926_173050

Variant Cover to “The Life of Captain Marvel” #1, Fiona Staples, 2018

Marvel Comics.

Photograph-27-1

Roanoke, Virginia, September 2018

Vicinity of the intersection of Campbell Avenue and Jefferson Street.

20180906_173456

20180906_173522

20180906_173540

20180906_173603

A short review of “Bad Samaritan” (2018)

As I believe I may have mentioned, I have a love-hate relationship with David Tennant’s onscreen performances.  I find him inexplicably, positively grating whenever he plays a protagonist.  (See 2011’s “Fright Might” remake, or his cringe-inducing stint as “Doctor Who.”)  But it seems to me that the man is absolutely fantastic when he plays a bad guy.  (See his frightening and hilarious role as Kilgrave the first season of “Jessica Jones” in 2015.)

“Bad Samaritan” (2018) thankfully presents us with the latter Tennant.  He musters an intensity with his eyes and his voice that are incongruous counterpoints to his innocent-looking face, and this makes him a damned good antagonist in a thriller.  (He is a highly organized, sociopathic kidnapper in this film.  I don’t think that’s much of a spoiler, as all of the film’s marketing make it clear.)  He’s a hell of a lot of fun to watch — and listen to.

With that said, “Bad Samaritan” is an average movie — not altogether bad, but not awesomely good, either.  (I suppose I’d rate it a 7 out of 10.)  It benefits a lot from another very good actor in Robert Sheehan as its anti-heroic young protagonist.  (The plot setup here is interesting — a mild-mannered burglar discovers a psychopath’s captive while in his house, then struggles with how he can help the terrified victim of a far worse criminal than he is.)  The movie’s biggest sin seems to be that it borrows heavily from comparable genre-defining works from the likes of Thomas Harris and James Patterson.  But it’s still an enjoyable enough movie in its own right.

There’s someone else here that’s great fun to watch too — Kerry Condon as the kidnapee.  Her voice is amazing, and she’s a superb actress; I think she’s strong enough to carry another movie like this.  I just knew she looked familiar … it turns out she played Clara, the really weird woman that Rick found in the woods during Season 3 of “The Walking Dead.”  (He asks her the show’s signature “three questions.”)

She is also to voice of F.R.I.D.A.Y., Tony Stark’s on-board A.I. in several of Marvel’s “Avengers” movies.  Didn’t see that one coming.  Weird world.

 

bad_samaritan_ver2_xlg

Eric Robert Nolan nominated for the Sundress Publications 2018 Best of the Net Anthology

I am honored today to share some wonderful news — my colleagues over at The Bees Are Dead have graciously nominated a short story of mine for the Sundress Publications 2018 Best of the Net Anthology.

The title of the story is “At the End of the World, My Daughter Wept Metal,” and it was published last August over at the B.A.D. website.  (You can find it right here.)  It is an apocalyptic sci-fi horror tale in which nanotechnology is used for an astonishing medical breakthrough  — but then goes horribly, catastrophically wrong.

I would like to thank B.A.D. Editors Philippe Atherton-Blenkiron and Dennis Villelmi for the nomination and their invaluable support for my work.  I am truly grateful.

 

 

 

The green and sweeping fields of Southwest Virginia

At the threshold of a summer thunderstorm. August 2018.

20180807_132739

20180807_132715

20180807_150024

 

A very short review of Episode 1 of “Who Is America?” (2018)

So I just managed to catch the first episode of Sacha Baron Cohen’s “Who Is America?” (2018), and it was predictably jaw-dropping.  (I recently ran a couple of clips here at the blog that Showtime had released concurrently with the show’s July 15th premiere.)  I’d rate the first episode a perfect 10 for being both hilarious and an absolutely biting half hour of … prank comedy?  Subversive documentary?  Performance art?  I think any of those labels might apply in varying degrees, depending on how you view Cohen’s work.  It’s wacky stuff.

I opine that Cohen is a creative genius.  We can all debate the ethics of the imposter interviews that are his trademark (and there were a couple of moments during 2006’s “Borat” that made even me squirm).   But nobody can deny that the man is exceptionally good at what he does.  And I don’t think that his success derives from the false personas he adopts when sitting down with political figures.  (There are several new ones that he’s created for the show.)  They are funny by themselves, but not hilarious, and countless comedians can perform a character.  (One of Cohen’s creations, the “Finnish Youtuber,” even reminds me a little of Dana Carvey.)

Cohen has something more.  If I had to guess, I’d say that it’s a skill set that matches closely with that of any standard con-artist, allowing him to gain his interviewees’ trust to an extreme degree.   I’m willing to bet that he works hard at building rapport with his subjects long before the cameras start rolling, and that the feckless nature of his false identities further puts them at ease.

Anyway, Episode 1 features interviews with Bernie Sanders and Trent Lott.  A clip from the Sanders segment is below.  He acquits himself far better than other participants, although I also think Cohen went far easier on him.  (There isn’t actually a joke at Sanders’ expense; it’s really just Cohen’s character clowning.)  The humiliating interview with disgraced Sheriff Joe Arpaio doesn’t appear until Episode 4, but I just had to include it here.

This is utterly bizarre, utterly funny stuff.  I highly recommend it.

 

 

 

 

Roanoke, Virginia, July 2018

These are just a few shots of the City of Roanoke in the vicinity of Mill Mountain.  I really like the style of the houses here, although I don’t know what it is.  They’re truly immense, despite looking a bit boxlike.

 

20180709_165425

20180709_165022

20180709_150820

20180709_150638

20180709_150625