Tag Archives: Eric Robert Nolan

Throwback Thursday: “The Beastmaster” (1982)!

“The Beastmaster” (1982) was THE movie that captured the imaginations of grade-school boys in the 1980’s.  There were summer afternoons when this was the single biggest topic of conversation.

I almost wrote here that the movie was an obvious knockoff of the far-better-remembered “Conan the Barbarian;” that is how I’ve always remembered it.  But the Internet informs me that they hit theaters only months apart.  Wikipedia also informs me that “The Beastmaster” was actually a commercial failure, and that its two sequels and its television adaptation (all in the 1990’s) were aimed at a subsequent cult following spawned by the original movie’s appearance on 80’s TV.  (I’m pretty sure that’s how my friends and I saw it.)  What the hell was wrong with 1982 audiences, anyway?  Was it something in the water?  “Blade Runner” and John Carpenter’s “The Thing” were also flops that year — and those were some the best science fiction movies of all time.  Talk about pearls before swine.

Anyway, please understand — “Conan the Barbarian” was inarguably the better film.  No matter how much it polarized critics and audiences, that dour, violent, R-rated movie was intended as a serious adaptation of Robert E. Howard’s literary source material.

“The Beastmaster,” on the other hand, was campier stuff that was firmly aimed at kids.  (I was surprised to learn that it had its own literary source material, but its B-movie wackiness only followed those books very loosely.)  It had a PG rating and was jam-packed with garishly grotesque monsters that would thrill a fourth grade boy — the animalistic berzkers were what really got under my skin; my friends were more unnerved by the … bat-people.  (There is a simple but quite effective 80’s-era practical effect that show how these baddies digest a victim alive.  You kinda have to see the movie to know what I mean.)  Hell, even the witches were a little creepy, and witches were not high on our list of things that were scary.  I honestly think the film’s success owes a lot to its successful incorporation of horror movie elements designed to impress the younger set.

“The Beastmaster” starred Marc Singer, who went on to star in another 80’s phenomenon, television’s “V” series.  (I might have loved “V” even more than “The Beastmaster.”)  The movie also starred Tanya Roberts, who was another quite popular topic among gradeschool boys in the 80’s.  John Amos starred in a supporting role, and he did a really good job of it.  A lot of my older friends will remember him as the grouchy Dad in the “Good Times” (1974-1979); 80’s kids might point him out as the owner of “McDowell’s” in 1988’s “Coming to America.”

I really am curious to find out how well “The Beastmaster” has held up over time.  I was surprised to discover that there is a great copy of it here on Youtube.  (Thanks, VHS Drive-In.)  You can bet that I’m watching it this weekend.

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Please, try to see his Sydow things.

That crazy moment when you think you see a picture of YOURSELF IN THE FUTURE, but it’s really just a 1991 Max von Sydow.

 

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Would you like to be in Skybald’s next heavy metal music video?

Of course you would.  I don’t even need to ask that.

It’s actually quite easy, given an especially creative project that the United Kingdom’s progressive alt-metal band has underway.  Skybald is assembling a montage music video for their newest song, “Kamikaze Pilots,” and are inviting people to submit video clips that can be edited into it.  (The song is really, truly damned great, by the way; it’s my favorite of theirs so far.)

All you need to do, if you’re interested, is query Skybald via their Facebook page right here, and they’ll send you a link to the song where you can play it for free online.  Then just make a video of yourself rocking out to it and send the video to them via the same Facebook page.

“Kamikaze Pilots” is a slight departure from Skybald’s usual style.  It has more of a classic rock/heavy metal feel to it than the band’s past work.  It’s probably more reminiscent of metal in the 1970’s or 80’s.  (Maybe it’s why this old man likes it so much.)  If you happen to like it, then do check out Skybald on Spotify.

 

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Vote for me. No … seriously, this time.

Hey, guys — I was notified yesterday that I’ve received a really nice honor from Spillwords Press.  I’ve been nominated for the online magazine’s Author of the Month for June 2020.  (The editors were kind enough to recently select three of my poems for publication: “This Windy Morning,” “Lie To Me, But Brightly”and “Blue Wolves Move In An Indigo Wood.”)

There is a voting process, and it’s quick and easy; if you are feeling so inclined, you can cast your vote for me or any other nominee by clicking the link below.  (Voting will be held from today through Monday.)

VOTE

If you do vote for me, thanks a bunch.  🙂

 

 

(We’d have a hell of a good time.)

I realized just last night that there are actually people walking around with the surname “Faust.”

I sooooo want a friend with that name so I can repeatedly ask them every weekend if they want to go bargain hunting with me.

We’d have a great deal of fun, is what I’m saying.

I’d challenge every opinion they express, on any subject — even the weather. When they got fed up, I’d wink and tell them I’m just playing devil’s advocate.

 

 

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Ludwig Devrient als Faust 1873, Holzstich nach F. Th. Hildebrandt

Poetry Pacific will publish “The Writer”

I got some great news today — Poetry Pacific will publish my poem “The Writer” in its next annual edition.  The poem will be published online in May 2021; I’ll post a link here when it appears.

Poetry Pacific is is “a literary e.zine committed to promoting and publishing the very ‘best’ contemporary poetry in English it can find.”  It really is a terrific place to peruse the latest in indie short poetry, as well as artwork from around the world.  I really encourage you to give the site a visit, and consider submitting your own creative work.

You can find it right here.

 

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What a day it was for sci-fi 38 years ago today.

If you see an abundance of “The Thing” or “Blade Runner” posts today, it’s because both films opened in theaters 38 years ago today.

We … need a holiday or something. But “Thing/Blade Day” sounds too much like “Sling Blade Day.”

Anyway, both films resonate just fine in 2020 America. “The Thing” is predicated on paranoia about those around you. “Blade Runner” is technically about cruelty to illegal immigrants — and how “human” we all are depending on our reaction to that.

Hey … let’s not even get started on (the overrated) fan favorite “Tron,” also released in 1982. If you want to talk about a movie about a guy trapped in a virtual world and its parallels to the social media age, then I’m gonna need some more coffee.

 

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Throwback Thursday: “Devil Dog: The Hound of Hell” (1978)!

“Devil Dog: The Hound of Hell” (1978) was yet another made-for-television movie that rocked my world when I saw it in early grade school.  But it didn’t age well — not even by a narrow margin.  When I saw it on TV again a few years down the line, like maybe when I was in junior high, I realized it was … truly a third-rate horror movie.  (It was every bit s campy as the trailer below suggests.)

It wasn’t all bad, I guess.  It stars Richard Crenna.  And whatever special effects they used to show the titular monster after its demonic transformation were surprisingly decent for a 70’s TV movie.  (I actually wonder if they used the same rotoscope process that Ralph Bakshi used in the same year’s animated “The Lord of the Rings.”)

 

 

“Ode to a New Black BallPoint Pen,” by Eric Robert Nolan

Black liquid silk, bleed out
from onyx talon-tip:

Like spilled obsidian liquor
indelibly defacing lace,
like a gleaming needle leaves
glissading sable scars of curling script,
let slip the sliding
black racer snakes to trace the page.

(c) Eric Robert Nolan 2020

 

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Photo credit: By George Shuklin – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2209695