Tag Archives: Eric Robert Nolan

In the not-too-distant future — this country, A.D.

This meme is making the rounds on Facebook.  (As always, I’ll cheerfully credit its creator if he or she steps forward.)

Joel and the Bots might just make these televised farces bearable.

 

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Throwback Thursday: Milton Bradley’s Connect Four!

I loved this game.  Just about the only drawback to it was that if two kids got reasonably proficient at Connect Four, they would somewhat consistently reach a draw every time they played.

If you glance at the comments section for the video (I’m linking here to panbiscuit’s Youtube channel), you can see that plenty of people still remember the “Pretty sneaky, Sis” line at the end.

Weird world — when I was a little kid in the late 1970’s, I totally had that kid’s haircut.

Hey — you can actually play an online version of Connect Four for free if you’ve got Adobe Flash.

 

Wash your hands.

Wash your hands.

Wash your hands.

Wash your hands.

Wash your hands.

Wash your hands.

Wash your hands.

Wash your hands.

 

 

Another Donald Trump Limerick …

The #Dimericks hashtag has died down a bit on Twitter, but I couldn’t resist just one more limerick at Donald Trump’s expense …

There once was a doltish aggressor
who lied at his pandemic presser.
He figured he’d use
his tried-and-true ruse
of blaming his black predecessor.

 

 

 

I TOLD you I have big hair.

Damn thing needs its own zip code.

Unless I get it cut once a month, I turn into Mr. Glass from “Unbreakable.”

Or maybe Beaker the muppet at disillusioned midlife.

Meep.

 

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This kite stuck in a tree on a rainy day might be the best metaphor for 2020 ever.

Unless … maybe if the tree was also on fire.

And I’m not going that far for a good photo.  I’ve got enough problems.

 

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Throwback Thursday: this 1970’s Slinky commercial!

Slinkys are still sold today — but I’ll always remember it as a staple of the 1970’s, when I was a toddler.  It was one of my favorite toys.

I remember occasionally needing help from an older sibling to get it to “walk” down the stairs, as it was intended to do.  (Again, I was never the brightest bulb in the socket.)  I also frequently got it so tangled up that it looked like one of those razored traps from the modern “Saw” films — and an adult had to fix that.  But it was always fun while it lasted.

There’s a pretty cute story about the toy’s origin right here at The National Museum of Play.

 

“Contagion is a Despot Poet,” by Eric Robert Nolan

Contagion is a despot poet. It
releases fatal verses from its throne.
Its alabaster palm will lean to sow
what words will wind within their binding strictures

each arriving low, in permanent cursive,
at the many nadirs of pages — each
to immutable conclusion,
to shared, indelible metaphor:

dirges upon April mornings
eulogies at afternoon
rimes to loss at rayless night, as stars,
so slowly overflying a singing, dim landscape of endowed poetry,

are indistinct, indifferent.

 

(c) Eric Robert Nolan 2020

 

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Photo credit: By Helgi Halldórsson from Reykjavík, Iceland – darkness, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=33782100

Snickety-Snick.

Here’s an idea.  Since none of us are getting haircuts, we should have a contest to see who can grow the coolest Wolverine hair.

Frankly I thought I’d be much farther along — I have a long reputation for having “big hair.”  Seriously.  It’s just always been thick.

I figured I’d let you guys off the hook and not suggest a six-pack abs contest.  I’d win that one too easily.

 

“GONZALO,” BY W. H. AUDEN (RECITED BY ERIC ROBERT NOLAN)

“Gonzalo”

— from W. H. Auden’s “The Sea and the Mirror”

Evening, grave, immense, and clear,
Overlooks our ship whose wake
Lingers undistorted on
Sea and silence; I look back
For the last time as the sun
Sets behind that island where
All our loves were altered: yes,
My prediction came to pass,
Yet I am not justified,
And I weep but not with pride.
Not in me the credit for
Words I uttered long ago
Whose glad meaning I betrayed;
Truths to-day admitted, owe
Nothing to the councilor
In whose booming eloquence
Honesty became untrue.
Am I not Gonzalo who
By his self-reflection made
Consolation an offence?

There was nothing to explain:
Had I trusted the Absurd
And straightforward note by note
Sung exactly what I heard,
Such immediate delight
Would have taken there and then
Our common welkin by surprise,
All would have begun to dance
Jigs of self-deliverance.
It was I prevented this,
Jealous of my native ear,
Mine the art which made the song
Sound ridiculous and wrong,
I whose interference broke
The gallop into jog-trot prose
And by speculation froze
Vision into an idea,
Irony into a joke,
Till I stood convicted of
Doubt and insufficient love.

Farewell, dear island of our wreck:
All have been restored to health,
All have seen the Commonwealth,
There is nothing to forgive.
Since a storm’s decision gave
His subjective passion back
To a meditative man,
Even reminiscence can
Comfort ambient troubles like
Some ruined tower by the sea
Whence boyhoods growing and afraid
Learn a formula they need
In solving their mortality,
Even rusting flesh can be
A simple locus now, a bell
The Already There can lay
Hands on if at any time
It should feel inclined to say
To the lonely – “Here I am,”
To the anxious – “All is well.”