Tag Archives: Eric Robert Nolan

A short review of “Miracle Mile” (1988)

“Miracle Mile” (1988) actually came highly recommended to me.  And that’s perplexing, because this is a pretty bad nuclear war thriller that I’d only grudgingly rate a 4 out of 10.

The script is terrible.  We know that from the film’s opening minutes, when it attempts to establish Anthony Edwards as a likable protagonist by showing him performing impromptu stand-up for schoolchildren on a field trip to a Los Angeles natural history museum.  (He is not a chaperone for the field trip, or connected with these schoolchildren in any way.  He apparently just hangs around alone at museums to inexplicably crack jokes for children he does not know.)

From there, we follow an abortive, cloddishly written romance between two mostly unappealing characters.  (Mare Winningham is the other half of the romance doomed by the impending apocalypse.)  I won’t bore you with the details about the ensuing end-of-the-world thriller, except that an implausible plot device gives the nascent couple and a handful of secondary characters advance knowledge of the nuclear missiles that will hit Los Angles in just more than an hour.

Even the acting was mostly poor.  Surprisingly, this includes the performance by Edwards himself, who has shown nothing but talent in every other role in which I’ve seen him.

The movie comes close to redeeming itself near the end.  Its obligatory chaos-in-the-streets set-piece is surprisingly well done for an otherwise mediocre film, and there are a few good lines when the couple reunites at the movie’s finale.  I suppose you can also have a lot of fun spotting a bevy of other character-actors from the 80’s and 90’s.

I … can’t actually recommend this, though.  I can’t remember the last time I was this disappointed by a film that my friends insisted was great.  Check out 1983’s “Special Bulletin,” instead.  Or, better yet, hunt down Britain’s superb nuclear war mini-series, “Threads” (1984).

 

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An excerpt from W. H. Auden’s “Hunting Season,” read by Eric Robert Nolan

This is only 20 seconds long; it consists of just one stanza from Auden’s poem.  Despite their brevity, however, I think that these few lines comprise one of the greatest breakup poems ever.

 

A very short review of the Season 7 premiere of “American Horror Story” (2017)

I finally got around to watching my first episode of “American Horror Story” last night; I started with this season’s critically praised premiere.  (People have been enthusiastically recommending this show to me for years, and “Game of Thrones” taught me that the bandwagon isn’t always a bad thing.)

I can’t say that I was overly impressed.  Season 7’s opening episode, entitled “Election Night,” consists mostly of heavy-handed political commentary with caricaturized portrayals of both Donald Trump and Hillary Clinton supporters.  Nearly none of the characters are likable; not even the one played by the terrific Evan Peters.  (Yes, comics fans, that’s none other than Quicksilver from the latest “X-Men” movies.)

There is a lot of “scary clown” horror here, as anyone who’s seen any marketing for the show at all should know.  Between that and the political elements, I suspect I am not the right audience for this show.  I simply find clowns obnoxious instead of scary, and political commentary in horror usually falls flat with me.  (I’m the rare horror fan who loves George A. Romero’s work only because it’s scary, without caring much about the social statements he’s supposedly making.)

With all of that said, there actually were a couple of creepy moments late in the game.  And there was one (as of yet, minor) character that I liked — the child of the liberal couple who were so devastated by the election results.  He’s cute, and any kid who hides parentally forbidden horror comics under his pillow is one of my tribe.

I’d somewhat grudgingly rate this a 5 out of 10.

Anyway … scary clowns are ubiquitous now, and we already have the zombie shows we need.  I propose that we bring back … body snatchers.  Those can be terrifying in the hands of a talented writer, and they require no special effects.  Or, what about vampires?  Now that “The Strain” has concluded, how about a well written television excursion into Steve Niles’ “30 Days of Night” universe?  Or maybe a “Stakeland” TV show?  Looking at you, AMC.

 

 

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“The Third Temptation,” by W. H. Auden, read by Eric Robert Nolan

Part VIII of W. H. Auden’s “The Quest.”

 

Cover released for Peeking Cat Poetry Anthology 2017

Peeking Cat Poetry Magazine has released the cover for its annual anthology, as well as its release date — October 15th.

The cover, below, looks terrific.  Editor Samantha Rose also announced today that the magazine will be hosting an online book launch on the day of the release.  For more information, visit Peeking Cat’s website here.

 

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Johnny Bee Goode

Today is the first day of Autumn.  Why not stop over at The Bees Are Dead, and mark the encroaching cold with a few dark futuristic visions?

There you’ll find Gary Glauber’s “After the Deluge”, which is a sanguine twist on the usual narrative of the post-apocalyptic poem.  There is also some truly arresting photography — Paul Gerrard’s “Monochromatic Beginnings” is shudder-inducing and delightfully monstrous, and Kathryn Nee’s ““Windows into the End” is a haunting exhibition of abandonment art.

 

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Al Pueblo de México …

El Pueblo de los Estados Unidos le desea paz, seguridad y fortaleza durante esta crisis.

 

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Teotitlán de Valle. Tapestry shop.  Photo credit: By Wolfgang Sauber (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

Throwback Thursday: Nena’s “99 Red Balloons” (1984)

The 80’s were a weird time in a lot of ways.  Pop culture’s answer to the threat of global nuclear annihilation was a really cool, really catchy song with an upbeat tempo that topped the charts.  (Full disclosure — I don’t know much about music, and I’m not sure I’m using the term “upbeat tempo” correctly.  If I’m not, you can totally call me on it.)

Nena released “99 Luftballoons” in 1983 in Germany, it was released a year later in America as “99 Red Balloons.”  Wikipedia taught me some interesting trivia this afternoon — the group was actually pretty unhappy with the loose translation of the Americanized lyrics, and all but disowned them.  Nena performed the song only in its original German, even when the band was on tour in England.

Maybe we need a catchy pop song to teach the perils of nuclear brinksmanship to the current president.  Or, better yet, set something to the tune of one of those Looney Tunes cartoons.

 

Publication Notice: “Roanoke Summer Midnight” will appear in the Peeking Cat Anthology 2017

I’m so pleased to share here that Peeking Cat Poetry Magazine has selected “Roanoke Summer Midnight” to appear in its 2017 Anthology.  I’m always honored to have my poetry selected for the magazine, but seeing my work appear in the annual anthology really is a special distinction.

The anthology will be published in October.  I’ll post ordering information here as it develops.

Thank you, Editor Samantha Rose!

 

 

Today is shaping up to be a great day!

First, a particularly kind Twitter user in Argentina informed me that she translated one of my flash-fiction stories into Spanish.  The title of the story is “I Bring Her Diamonds.  My Hands Are Full of Them.”  It originally appeared as a 100-word horror story in Microfiction Monday Magazine, and you can read it here.

Then, the talented Robert Hansen shared with me his printing proofs for some of the flash fiction he accepted for the Poems-for-All Project.  Poems-for-All crafts matchbook-sized miniature books for poetry and flash fiction, which can be easily distributed to family and friends, or just “scattered like seeds” in true guerrilla poetry fashion.  The flash fiction that Mr. Hansen selected include another 100-word horror story, “There in the Bags,” as well as my response to the online “Six-Word Science Story Challenge.”

The artwork that Mr. Hansen is downright terrific, and I can’t wait to share it with you after the miniature books are completed.  For more information about Poems-for-All and Mr. Hansen’s unique publishing project, please visit his website here.