Tag Archives: Eric Robert Nolan

A review of “Special Bulletin” (1983), with link

There’s a pretty damn interesting chestnut from from 80’s-era nuclear nightmare films available on Youtube — 1983’s “Special Bulletin.”  (The link is below.)  I was surprised I hadn’t heard of it.  I think most 80’s kids remember ABC’s “The Day After.”  That infamous television movie was a cultural touchstone that scared a generation of kids.  “Special Bulletin” was produced by NBC the same year, actually preceding “The Day After” by nine months.  Instead of a world-ending war with Russia, the feature-length special imagined a single incident of nuclear terrorism in Charleston, South Carolina.  (I myself had no idea that Charleston was the strategic military nexus that the movie explains it to be.)

“Special Bulletin” was filmed as a “War of the Worlds”-type narrative, consisting exclusively of faux news coverage, and it’s pretty damned good.  (It won a handful of Emmys.)  It’s just as frightening today — or maybe more so, given the increased threat of precisely this kind of terrorism from stateless groups.

The acting is mostly good, the directing successfully captures the feel of live news coverage, and the absence of a musical score further lends the movie a sense of realism.  The story has a few surprises for us, too — the plot setup is creative and interesting, and much more thought went in the the teleplay than I would have expected.  The film asks some difficult questions about the role of the media in affecting the outcome of high-profile crimes like the one depicted.  (Would such questions be more or less relevant in the age of camera-phones, uploaded ISIS executions and Facebook Live?  I’m not sure.)

I was also quite impressed with some of “Special Bulletin’s” thriller elements.  (I’d say more, but I will avoid spoilers for anyone who wants to watch it below.)

One thing that detracts from the format’s realism is the fact that some of this movie’s actors are easily recognizable from other roles in the 80’s (although it’s fun spotting them as an 80’s movie fan).

Most viewers my age, for example, will recognize Ed Flanders and Lane Smith.  The utterly sexy female reporter who arrives on location at Charleston Harbor is Roxanne Hart, who later played Brenda in “Highlander” (1986).  (She’s still quite beautiful, guys, and she’s still making movies.)  Most jarring of all, however, is a prominent role played by David Clennon, who any fan of horror-science fiction will recognize as Palmer from John Carpenter’s 1982 masterpiece, “The Thing.”  This is still fun, though — he has that same disarrayed hair.  Was it his trademark back in the day?

 

Pi in the Sky!

If that isn’t the Greek Pi, I don’t know what is.

Okay, maybe a howling dire wolf seen in profile.  With … an RPG launcher strapped to his back?  That’s f@#$ing awesome.

Or maybe it’s a continent … the magical lost empire, “Apophenia.”

 

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Throwback Thursday: Blondie

Believe it or not, I actually can remember Blondie’s “Heart of Glass” being played in the summer of 1979.  (That would have been the summer before I entered second grade.)  The song came out in September 1978; but I can pinpoint the year as 1979, because this is a vivid summer memory.  I heard “Heart of Glass”  being played loudly on a hot day by a house halfway down the street I grew up on, and I was playing with the first Star Wars figures I’d ever gotten.  (I’d adopted R2-D2 and C-3PO the prior Christmas; they lived among shuffled papers in the top drawer of the bright blue desk that Santa had also brought me.)

Blondie was a big deal.  “Call Me” and “The Tide is High” were two other hits that I heard a hell of a lot as a little boy in 1980.  You could guarantee those would come up at least once on the way to school on whatever radio station the bus driver played.  (The little kids sat toward the front; my best friend Shawn and I had a habit of sitting in the coveted “front seat” behind the driver, who was an adult we really liked.)

If you watch the truly Kafkaesque video for “The Tide is High,” you’ll actually see an utterly bizarre homage to Star Wars, in which Darth Vader morphs into … an upright robotic rat, apparently.  I am not making this up.  It’s in the second video I posted.

What’s befuddling is that I don’t think I have heard Blondie played since … the very early 1980’s, I guess.  Other superstars from the era occasionally get rediscovered.  In 1993 and 1994, for example, the kids at Mary Washington College were hit by a horrifying revival of the truly abhorrent ABBA, not to mention a couple of “songs” from (God help us), The Partridge Family.  (If you ask me, a meth epidemic would have been less troubling.)

Why not Blondie?  I don’t get that.

 

 

 

“These are a few of my favorite things.”

I am now the proud owner of … a goodly portion of all the “Grendel” comics Matt Wagner ever wrote.  What you see in the top row are “Grendel Omnibus” Volumes 1, 2 and 3.  (I believe I actually shared my review of Volume 1 on this site a while ago.)  These would comprise a nearly inclusive history of Hunter Rose, Christine Spar, Brian Li Sung, Orion Assante and Eppy Thatcher.  All that remains for me to collect is the fourth Omnibus trade-paperback, chronicling the possibly immortal Grendel Prime and his imperiled charge, Jupiter Assante.

The Omnibus editions do not include crossovers with heroes such as Batman and The Shadow, as those characters are obviously owned by other companies.  Nor do they include the diverse dystopian future tales depicted by various artists in the 1990’s “Grendel Tales.”  But I am in heaven with what you see below — or maybe hell, considering these books’ central motif.

To top it all off, that hefty tome beneath the comics is W. H. Auden’s “Collected Poems,” edited by Edward Mendelson, with the poet’s work between 1927 and his death in 1973.  It’s 927 pages.  It weighs 30 pounds, probably.  And it is indexed by both the poem’s titles and their first lines.  That is what you call a lifetime investment.

The comics will be excellent summer reading; as will Auden.  But I’ll focus more on the Briton when fall arrives.  Like his countryman, Doyle, he might be best enjoyed outdoors on a gray and increasingly brisk Autumn day.

I need to buy books more often.

 

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Wakicha-wakicha!

Just one more road trip pic from last week — I can’t believe I forgot to post this!

This ad campaign sounds like the most poorly conceived porn film ever.

 

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Publication notice: Peeking Cat Poetry Magazine will feature “Bumblebee”

I just got some nice news from Samantha Rose, Editor of Peeking Cat Poetry Magazine — a poem of mine entitled “Bumblebee” will appear in the August 2016 Issue.  This piece was originally published by Every Day Poets in 2013.

Thanks again, Peeking Cat!

 

Iron Gate and Clifton Forge, Virginia, July 2016

Here are a couple of more shots of Iron Gate and Clifton Forge, in the Alleghany Highlands of southwestern Virginia.  Words can’t convey the immensity and beauty of the 400-foot-high Rainbow Rock, towering over Rainbow Gorge and the railroad tracks.

 

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Throwback Thursday: “I want my MTV!!!”

This past Monday marked the 35th Anniversary of MTV.  It aired its first music video, ironically The Buggles’ “Video Killed the Radio Star,” on August 1st, 1981.

That’s a cool answer for a trivia question, but it’s not actually a memory for a lot of people.  Not everybody had premium cable packages back then.  My family didn’t.   And if we’d had fancy cable channels like that, I’d have been far more thrilled to get Showtime or the legendary HBO.  (We called the latter “Home Box” back in the day.)

The first time I laid eyes on MTV was at a friend’s house, and it seemed weird to a fourth grader.  I thought it was an inscrutably dumb idea — why did we need to see the music being played?  That seemed like something appropriate only for fanatical music fans.  In my child’s mind, I pictured them as the weird, overly nostalgic, long-haired men who purchased those “Hits of the 60’s” cassettes that were so often advertised on non-primetime television.

I  only gave it a glance; my friend and I then went on to play in the woods, maybe to build a tree-fort.  The 80’s were a different time.

Adults, too, scoffed at “Music Television.”  I heard more than one opine, disapprovingly, that “music is meant to be heard, not watched.”

MTV also arrived with little initial fanfare, of course, because nobody knew how big it would be.  By the end of the 80’s, even describing it as a cornerstone of popular culture would be an understatement.  It was … I dunno … a cultural conduit.  It was part of life, if you were a teenager.

By the time I graduated from Longwood High School in the spring of 1990, I was watching it nightly, just like countless other kids.  This was arguably MTV’s Golden Age — it would be many years before its inexplicable, universally maligned transition away from music videos to brainless, bread-and circuses”reality shows” and other questionable programming.

The countdown show in the late 80’s was “Dial MTV,” Wikipedia reminds me.  (Why do I feel like I remember it being called something else?)  I didn’t pay much attention to “120 Minutes,” which focused on alternative music.  And that’s weird, because I would go nuts for alternative music when I was bitten by the Depeche Mode bug early in my freshman year of college.

MTV could be found on Channel 25 in my part of Long Island; its sister channel, VH-1, was on Channel 26.  I remember thinking of VH-1 as “MTV for old people.”  And, by “old people,” I did mean people in their 30’s.

For some reason, I had quite a preoccupation as a teenager with Vee-Jay Martha Quinn.  I definitely had Martha on my mind, back then.  I’m not sure what was up with that.  Looking back, I think she resembled a mild-mannered, nondescript librarian who dressed just slightly cool, maybe because she just got a job at the local high school.  Or maybe because she was sneaking up on 30.

 

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Camping at Iron Gate, Virginia, July 2016 (2)

Here are a few more pictures of our campsite on the Cowpasture River in Iron Gate, in Virginia’s Alleghany County.  The river snakes and winds throughout its 84 miles until it combines with the Jackson River to make the James River.  The Native Americans called it the “Walatoola,” or “Winding River.”  The arriving British renamed it, Wikipedia informs me — there are “Bullpasture” and “Calfpasture” rivers too, and they are all apparently named according to some confusing early American folklore involving stolen cattle.

The water was perfectly clear, and as warm as a mild bath after the late July sun hit it for a little while in the morning.  I remember thinking that my friends and I had an endlessly stretching hot-tub beside the place where we slept.

The riverbed and the hills through which it cuts are composed of jagged, gigantic jigsaw pieces of sedimentary rock — shale, sandstone and limestone — tilted askew.  They’re slippery.  But above those, in most places, are scattered wide beds of perfectly smooth, smaller stones that are comfortable to walk on.

There are often scores of small fish that hug the bank or quietly dart about the ankles of visitors wading in.  These are a staple for the eagles.  Flycasters, too, pursue larger quarry on the western bank, while people swimming and tubing stay to the right — I suppose this is river etiquette?

Upriver from our campsite, there are also “riffles” — miniaturized rapids that offer a bumpy but easy ride to anyone “tubing.”

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House Stark’s invading army bivouacs on its way south to King’s Landing.  NOBODY GET MARRIED.

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I found the ancient Native American Magic Machete of Legend beneath the river’s clear waters. Because I am strong and pure of heart. (I also found the ancient Native American stone cell phone.)

Wielding the legendary blade allowed me to walk on water, as you can see.  Having thus conquered it, I then claimed the river for New York.

 

I tried unsuccessfully to prank a friend by placing a Blair Witch stickamajig outside his tent.  Unfortunately, it kinda unraveled.  I even managed to position it outside the wrong tent, actually leaving it for a nice girl who had never seen “The Blair Witch Project.”  I was really off my game.

 

The quick, shy skink. After nearly two years in Virginia, I finally snapped a pic.  I indeed mean “skink,” and not “skunk.” It’s a lizard. It’s got a glittery blue tail, though you can hardly tell in these pictures.

 

 

Camping at Iron Gate, Virginia, July 2016

So the Mary Washington College alums finally shanghaied me into the annual campout at Iron Gate, Virginia (population 388).  It was amazing.

I saw a bear (on the ride home); a bald eagle; cows and horses; huge snorting hogs and friendly little piglets (hoglets?); a bat; a glittering blue-tailed skink; a wrinkly, red-faced turkey buzzard (up close); finger-length iridescent blue dragonflies; and innumerable wildflowers.

We smelled skunks too — several times along the way and once downtown in neighboring Clifton Forge.

This was all in the company of some amazing friends, schoolmates and their families — a couple of whom I haven’t seen in nearly a quarter century.

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Approaching Iron Gate via Clifton Forge and the Allegheny Mountains in southwest Virginia.  What you see is not fog — these mountains are high enough so that the road runs parallel with the clouds.

 

The Cowpasture River and its vicinity.

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Camp Nolan.  The bat is for bobcats or The Blair Witch.

 

The magic bacon-creating creatures of legend!!!

 

I made friends with these adorable bacon beans!  After I called them, they decided they liked me and tried to follow me out! I wanted to adopt one and name him “Delicious.”

 

Accidental overhead abstract mountain shot is creepy as f#%k.  I’m pretty sure this is the last thing a murder victim sees …

 

The first fireworks photos I’ve ever taken that have actually turned out.  I am 43 years old.