Tag Archives: Eric Robert Nolan

UFO Gigolo features my trio of poems, “Three Dreamers”

I was honored today to see my first poems published at UFO Gigolo.  Stephen Jarrell Williams, who is also Editor of Dead Snakes, kindly featured “Three Dreamers” there.

Check out UFO Gigolo.  It’s damned fun.  It focuses specifically on poetry in the genres of science fiction, fantasy and horror.  I am currently enjoying three poems there by contributor Alan Catlin.

If you’d like to peruse “Three Dreamers,” and you didn’t see them yesterday over at Dead Snakes, you can find the set of three poems here:

“Three Dreamers,” at UFO Gigolo

 

 

Publication notice: Dead Snakes features “Three Dreamers”

I’m honored to share here that Dead Snakes published “Three Dreamers” today.  This is a set of three related poems that was first featured by Dagda Publishing, in the United Kingdom, in January 2013 — the poems’ individual titles are “The Writer,” “The Secretary,” and “The Bureaucrat.”  Dagda subsequently featured these poems in print format in its 2013 poetry anthology, “Threads.”  Finally, these poems were published in 2014 by Illumen, a quarterly print-only poetry journal here in the United States.

Editor Stephen Jarrell Williams also kindly informed me the he would feature the poems on another site for which he serves as editor — UFO Gigolo.  This online publication focuses on poetry in the genres of fantasy, horror, and science fiction.  I’m new to the site, but it looks like great fun, perhaps especially for the sci-fi and horror fans with whom I’ve become acquainted here at my blog.

You can find “Three Dreamers” at Dead Snakes right here:

“Three Dreamers,” by Eric Robert Nolan

 

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Photo credit: By IDS.photos from Tiverton, UK (Dark corridor Uploaded by russavia) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons.

Riverside Park, Virginia (photos)

A friend and I went to Riverside Park this Saturday, searching for eagles along the Potomac River; if our bird-search was in vain, it was still a nice walk.  We actually did spot a ginormous nest — that thing was larger than my first apartment.

A friendly inveterate birder along the walk also pointed out a treetop where one bird habitually roosted — it gave the eagle a vantage point of the river and its abundance of tasty fish.  You can pick out the roost easily among the highest branches of the treetop, because its bark and foliage have been scraped away entirely by the eagle’s claws.

That building on the opposite shore in the second-to-last photo is Fort Washington in Maryland.

 

 

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A dam fine Easter weekend.

I know this might be hard to believe, but do you see those piles of debris?  Those are the remnants of beaver dams.  Beavers are itinerant, as it turns out, and will abandon dams for subsequent strongholds upstream.

That was one a few damn cool things that I got to see during my weekend in Mount Vernon; a great friend of mine generously invited me out to meet her family and spend the Easter holiday around George Washington’s home.  (That’s it in the last picture.)  The third photo you see is an apple tree in her yard — the metal skirt around its base is to fend off beavers.  If you peek through it, you can see the damage it sustained when the little buggers tried to chew through its base and carry it right off.

People in Virginia always look at me funny when I say this, but we absolutely do not have stuff like this on Long Island!

Mount Vernon is beautiful.  I spotted a … black-winged condor, I think?  There is also a wailing nocturnal fox that frequents my friend’s property, as well, but she didn’t put in an appearance.

Anyway, there are also photos halfway down of what is probably the scariest looking tree I’ve ever seen.  It’s more than 150 years old, and it looks dead, even if it isn’t.  To me, that coarse, gray, clutching swarm of equally dead-looking vines looks like an otherworldly,  witch-summoned spiderweb.

I commented that it would be a genesis for a horror story idea.  One of my hosts, who is only fourteen years old, spun a tale on the spot that would be far better than anything I could come up with.

 

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I have a possessed skull plasma lamp, and I’m f$%&ing thrilled with it.

I have entered into a period of my life at which fiscal responsibility is of paramount importance.  So of course I bought a $35 skull-shaped interactive lightning-shooting plasma lamp with no warranty last night from Spencer’s.

This is possibly the best decision I have ever made in my life.  Aside from the massive coolness evident in the pictures below, it has the added feature of actually being possessed.  Consider the following:

  1.  It is impossible to photograph.  Those photos you see below?  They were yielded from a Google image search.  Something goes wrong every single time I try to snap a shot of my product in action — you cannot see the sublimely excellent rainbow lightning shooting from its base to the inner circumference of the glass skull. It just shows a whitish, otherworldly flare!  Like angel fire!  Or the wrath of Abbadon!  Or anything, ever, in a J.J. Abrams movie!
  2. The MOMENT after I attempted these photos, the battery light on my digital camera flashed and the entire device went dead.  COINCIDENCE?
  3. EVERY time I turn it on, my computer malfunctions.  I SWEAR I am not making this up.  Whenever the lamp is activated, I lose all control of my cursor, which simply leaps and twitches and shudders around my screen like a terrified jitterbug.  (That is a real species, right?)

Anyway, I cannot articulate how wicked this thing is.  It’s a damn fine product.  Like any plasma lamp, when you touch it, the caged lightning shoots to the point where your hands make contact with its surface.  [EDIT: “wicked” is early 80’s slang for something that is very, very good, and very, very impressive.]

This product will be an outstanding muse for a horror writer who hasn’t published or posted anything in a very long time.  (I know you people have been totally cool about that.  Would you believe I have a bunch of handwritten short stories that I just need to typeset and submit?  There’s a really cool time travel story!)

It also has an “audio” function which is kind of a mystery to me … apparently this is a function in which only sound activates the lightning?  I switched that on, then clapped a few times, but nothing happened.  I was perplexed.  (The third photo below illustrates me being perplexed.)  Then I just began shouting random words at it.  I started with “NATE WADE!!!”  I have no idea why; apparently there’s some free association thing going on there that I can’t explain.

Still no luck.  I consulted the packaging but found its instructions sparse.  They reminded me that this product indeed has a “Sound Responsive Mode,” but says little of help beyond that.  Then the box exhorts me repeatedly to “GET THE PARTY STARTED,” but those are redundant instructions, because, Christ, I do that every time I breathe.

Tonight I am going to blast Slipknot’s “Psychosocial” to find out if that will do the trick.  I figure that’s just the song to placate an angry ghost.  I’ll also replace the batteries in my camera, and this time try to shoot video.

Unless my camera now is just too demonically damaged.  We’ll see.

 

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I almost typed “a short haiku,” but I figure that would be a redundancy.

The good folks over at Dead Snakes were kind enough yesterday to feature a haiku I penned.  Click the link for “Sideburns Haiku” by Ye Olde Nolan:

“Sideburns Haiku,” by Eric Robert Nolan

Anyway, every time I think of the word “sideburns,” I think of the Tony Travis song of the same name, performed in 1953’s “The Beatniks.”  Only Mystery Science Theater 3000 fans will know what I am talking about.

 

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Photo credit: “John Raphael Smith by Francis Chantrey (with thanks to the V&A for allowing photography)” by Jonathan Cardy – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=29629944

Check out MWC Alum Steve Miller’s virtual silkscreen art!

Here’s something I’ve been meaning to post for a while now — I am the proud owner of two “photographic virtual silkscreens” by the talented Alexandria artist Steve Miller.  I mentioned these prints on the blog when Steve sent them to me, but I never posted photos.

Steve is an old friend of mine, and a fellow graduate of Mary Washington College.  (No absurd “UMW” appellations will appear on this blog.)  As I’ve mentioned here in the past, some of my favorite memories of college were partying with the gang at Steve’s room in “The Tunnel” between Mason and Randolph Halls.  (I was a nervous and hyperactive freshman in the Fall of 1990; Steve and a few other upperclassmen there took me under their collective wing, and taught me to chill out and listen to the Beatles like a respectable Virginian young man.)  Steve is the tall guy in the shades in our group photo below.

But Steve was also a great friend because he’s one of the first true artists I had in my peer group.  He was a great creative influence, and taught me to dig good music, laid back friends and offbeat, unusual art.  I’d like to think it made me a far more well rounded young person.  To this day, whenever I hear The Allman Brothers (whose work was gospel to our crowd), I think of The Tunnel.

Steve’s work with virtual silkscreening was my introduction to the medium.  It’s cool and trippy; I love the vibe it brings to my place.

Check out Steve’s site here:

http://virtualsilkscreens.com/

 

 

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A few quick words about “Last Shift” (2014)

“Last Shift” (2014) came highly recommended.  It didn’t quite meet my consequent expectations, as aspects of it seemed amateurish — I felt there were problems with plotting, pacing, structure and even sound editing.  (I just couldn’t always discern what was said by the voice on the phone.)

But it was still good enough for me to rate it a 7 out of 10, thanks primarily to an interesting premise, a solid lead actress, and some genuinely scary moments.  Juliana Harkavy does just fine as a rookie cop working alone on her first shift — on the titular last shift of a police station being shuttered after a new facility opens elsewhere.  She carries the movie well as demonic shenanigans ensue at the haunted site, even if, at times, it seems she needed better direction about her character’s mood and reactions.

And the scares were there, which means this does qualify as a successful horror movie.  One, for example, results from an extended sequence involving a dropped flashlight — it’s creative and effective despite its simplicity.  Another scare results from what seems to be a direct homage to “Poltergeist” (1982) — but it might be even creepier here.

This is a decent enough fright flick; it’s worth checking out.

 

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“Sunrise Over Cadillac Mountain” (photo)

Let’s see if I understand the story here … if you reach the top of Maine’s Cadillac Mountain during autumn or winter, you can see the sun rise over the United States for the first time that day?  Hot damn if that isn’t a great excuse for a road trip.  I’ve been hoping  to take a long journey to Maine with a couple of buddies of mine in New York — this would be a perfect destination.

Mount Desert Island, where the mountain is situated, is so far north that I figure it must be easy to just hop on a boat and hit Nova Scotia.  That’s a place I’ve always wanted to see, ever since we studied it in Geography 101 at Mary Washington College.  I might have gotten a “D” in that class, but Nova Scotia’s beauty was still not lost on me.

 

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Photo credit:  By Bandan (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons.

“You see, I’m Irish — but I’m not a leprechaun!”

“You wanna fight?  Then step up and we’ll get it on!”

Happy St. Patrick’s Day!

And Happy Throwback Thursday, too.  House of Pain’s “Top O’ The Mornin’ To Ya” dates from 1992.  It actually has a pretty nifty “Return of the Jedi” reference, for you Star Wars fans who currently rule this little thing called the Internet.

And the song is memorable to this comic book fan for being a great intro track for Colin Farrell’s Bullseye in 2003’s “Daredevil.”  I actually am the rare (or possibly unique) individual who really likes that movie.  I bought it on DVD, and I’ve seen it more times than I care to publicly admit, given its ignominy.