Tag Archives: Eric Robert Nolan

THAT’S SO RAVEN.

Here is the poem that we celebrate every year as October 31st approaches, even though it actually takes place in December — “Ah, distinctly I remember, it was in the bleak December.”

Enjoy “The Raven,” by Edgar Allan Poe.  And, if you get the chance, do peruse Gustave Dore’s amazing 1883 steel-engraving illustrations — they’re all over the Internet, and they are in the public domain.  They’re superbly haunting, and they’re beautiful.  Dore died a year later, never seeing the publication of his work with Poe’s poem by Harper & Brothers’ 1884 edition.

In fact, you can even read “The Raven” with all 25 of Dore’s illustrations, by downloading it for free in e-book format right here:

http://www.amazon.com/Raven-Illustrated-Five-Classics-Book-ebook/dp/B00FAVTEMY/?tag=braipick-20

Thanks to brainpickings.org for that wicked cool tip.

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“The Raven,” by Edgar Allan Poe

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

 

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

 

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

 

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

 

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

 

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

 

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

 

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

 

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

 

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

 

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

 

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

 

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

 

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

 

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

 

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

 

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How to try on new sunglasses like an idiot.

  1.  Walk to bathroom.
  2.  Put on new sunglasses.
  3.  Look in mirror.
  4.  Lament the fact that, no matter what expression you make, you do not even remotely resemble Jack Bauer.  Even when you mutter, “Dammit. Chloe!”

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6.  Walk back from bathroom.

7.  Forget you are WEARING sunglasses.

8.  PANIC when everything in your bedroom appears so DARK.  WHAT HAPPENED?!  Solar eclipse?!  Meteor strike?! Rapture?!  Ragnarok?!   Cthulhu?!  Ben Carson elected president?!  THE WORLD MADE SENSE THREE MINUTES AGO.

9.  Realize your mistake.

10.  Spend 12 minutes trying to figure out whether you are senile or an imbecile.

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DAMN FINE PRODUCT. (I am coming out of the closet as a Glade man.)

One of my eccentricities is a reverence for Glade.  Yes, I did say “reverence.”  If any commercial product can be said to be holy, then it is Glade — it effectively assails even my sneaker smells, which are the olfactory equivalent of whatever demon troubled that little girl in “The Exorcist” (1973).

I settled last night on the “Apple Cinnamon” variation.  For some reason, the stores in Virginia do not carry “Lilac Spring,” and I’m disappointed, because I absolutely am weird enough to have a favorite Glade.  Insert whatever joke you like to question my manhood here — I don’t care.  It takes a real man to admit he loves the smell of lilacs.  “Vanilla and Lavender” also figures prominently in my value system.  I am perfectly comfortable with this part of myself, and I know I’m not the only one out there.  I might start a Glade Pride movement.  AND I SHOULD BE FREE TO MARRY WHOEVER I WANT.  Including Caroline Dhavernas.

I especially need this perfectly designed product after a tray of nachos and cheese recently overturned in my new backpack.  That event has resulted in the smell of nachos and cheese every time I open my backpack, which is weird.  The upside, though, is the smell of nachos and cheese every time I open my backpack, which is F*****G AWESOME.

I figured I might be sending a weird message if I walked around as the human equivalent of a Mexico-themed scratch-n-sniff sticker, however, so today we are going to Glade that bastard.  (Glade enthusiasts will occasionally use the product’s name as a verb.)

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In best Shaggy voice: “G-g-g-ghost!!”

Well, not really.  Just a couple of Halloween decorations to keep the spirit.

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Will Reichard favorably reviews “The Man in the High Castle” television adaptation.

Author Will Reichard gives us a nice rundown today of the small-screen adaptation of “The Man in the High Castle” (2015).  Check it out over at his blog, right here:

http://plaeroma.com/2015/10/go-watch-the-man-in-the-high-castle/

I’ve been dying to get to this alternate-history dystopia — it looks so much more ambitious and thoughtful than the usual fare, and it depicts a Nazi occupation of the United States!  I’ll review it when I get to it.  Right now, I’m finding myself tempted by the “Limitless” television adaptation and that new “Tales of Halloween” anthology horror flick.

There is actually a really basic question I’d love to ask about the plot of “The Man in the High Castle,” but I’m afraid an answer would be too spoilerish.  (It concerns the films that various characters watch within this show.)

A nice young lady is teaching me to make art!

She is five, and the daughter of a friend.  Despite her age, however, I find her work to be quite inspired.

Pictured below is a present she gave me — an untitled piece depicting the two of us.  When I queried her about her unexpected interpretation of my hair, she informed me, “Your hair stands up a lot.”

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Peeking Cat Poetry Magazine features “hens staring upward”

I’m honored today to see my poetry featured for the first time in “Peeking Cat Poetry Magazine.”  The poem is a recent piece, entitled “hens staring upward,” and begins on Page 25 of Issue 8 (October 2015).

You can download Issue 8 in in pdf format for free!  Just click here:

http://www.lulu.com/shop/samantha-rose/peeking-cat-poetry-magazine-issue-8/ebook/product-22412337.html

Or, you can purchase the magazine in paperback format for just $3.50 right here:

http://www.lulu.com/shop/samantha-rose/peeking-cat-poetry-magazine-issue-8/paperback/product-22412329.html

Peeking Cat is an outstanding magazine in the United Kingdom, publishing poetry and flash fiction from writers throughout the world.  I’m grateful to Editor Samantha Rose for allowing me to share my voice with its readers.

“hens staring upward” first appeared this Fall in Dead Snakes.

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A quick review of “Howl” (2015).

You can’t call “Howl” (2015) a great movie — not all of its acting, screenwriting and directing supports that statement.  But this indie British horror flick’s better qualities make it a pretty good one — enough to warrant an 8 out of 10.

There were three things about this film that made me like it.

  1.  It’s a straightforward werewolf tale.  Monsters attack average commuters on a red-eye train after it breaks down under a full moon in an English forest.  There is no Byzantine backstory, no sexing it up and no humanizing of the werewolves.  (They’re gross.)  I found that refreshing in an age of franchises like “Underworld” and “Twilight.”
  2. Our protagonists are average people who are relatable.  Who among us hasn’t been stuck on a stalled train at least once, even briefly?  These unarmed, everyday commuters would probably be easy prey for a human predator, not to mention a super-strong supernatural threat.  That made it scary.
  3. I thought that the special effects (a mixture of practical effects and CGI) were actually quite good.  I was pleasantly surprised when this low-budget, direct-to-video film bared its fangs as a decent creature feature.

And did anyone else recognize the train conductor?  That’s none other than Sean Pertwee, who starred in the werewolf classic, “Dog Soldiers” (2002).  It’s fun imagining “Howl” as a companion film.

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Publication Notice: Dead Snakes features “All Our Faults Are Fallen Leaves”

I’m quite happy to report that Dead Snakes has again published one of my recent poems, “All Our Faults Are Fallen Leaves.”

You can find the piece right here:

http://deadsnakes.blogspot.com/2015/10/eric-robert-nolan-poem.html

Thanks to Editor Stephen Jarrell Williams for again allowing me to share my voice with the readers of Dead Snakes!

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Pete Harrison recommends 10 horror movies for Halloween!!!

Among the many unique Internet resources for horror fans, the best just might be blog correspondent Pete Harrison. Pete’s got an encyclopedic knowledge of horror, whether it’s films, books, comics, classic short stories, or even vintage radio broadcasts.  The guy’s priceless.

Pete regularly swaps tips online about the best movies to watch — including fright flicks that are older or more obscure.  So he’s the ideal candidate for suggestions about Halloween viewing.  I asked Pete to name ten great fright flicks for October, and the list below is what he recommends.

I love that he’s included 1973’s made-for-tv movie, “A Cold Night’s Death.”  You’ve probably never heard of it.  But I know it.  It was one of the features that my “movie uncle,” Uncle John, screened for me back in the pre-Internet days of VHS — when hard-to-find thinking-man’s horror films were even harder to find.  It’ll get under your skin.  If it’s any indication of quality of the rest of the films that Pete has listed here, then this is advice for some damned fun late-night viewing.

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From Pete Harrison:

Per your request, SIR!!!!! There’s a million more!

TEN HORROR MOVIES I DEARLY LOVE, NO PARTICULAR ORDER!

1) JOHN CARPENTER’S “PRINCE OF DARKNESS” (ALL TIME CLASSIC!)
2) “RITUALS” (HAL HOLBROOK)
3) STEPHEN KING’S “THE NIGHT FLIER” (WAY BETTER THAN ANYONE THINKS)
4) “SHOCK WAVES” (NAZI ZOMBIES! PETER CUSHING!)
5) “A COLD NIGHT’S DEATH” (1973 TELEFILM)
6) “THE INNOCENTS” (OOZES WITH GOTHIC DREAD)
7) “THE SENTINEL” (1977)
8) “NIGHT GALLERY” (1969 TV PILOT- PORTIFOY? PORTIFOY!!!!!!!!!!)
9) “DEAD AND BURIED” (HELLUVA TWIST ENDING!)
10) “THE SATANIC RITES OF DRACULA” (SPIES, VAMPIRE BRIDES, PLAGUE, KITCHEN SINK!!!!!!)

Thanks, Pete!

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