Cover to “X-Men Black: Juggernaut” #1, J. Scott Campbell, 2018

Marvel Comics.

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A short review of “Truth or Dare” (2018)

Blumhouse’s “Truth or Dare” (2018) isn’t high art, but it isn’t quite as bad as everyone makes it out to be.  I’d rate it a 6 out of 10 for being a passably good fright flick.

It’s a gimmick horror film, but the gimmick kinda works –a powerful demon possesses an oral game of “truth or dare” — then follows its players home from vacation with lethal consequences. It’s actually not quite as stupid as it sounds; I had fun with the premise, which sounds like the basis for a decent “The X-Files” (1993-2018) episode.  An exposition-prone minor character explains to our protagonists late in the game that demons need not infect only people and objects, but also “ideas” like games or competitions.  The notion of an idea or a philosophy being demonically possessed has a hint of creative brilliance, and I’d love to see it fully developed in an intelligent, well written horror film.

Alas, this isn’t it.  And instead of lovable heroes like Mulder and Scully, we get a predictable, throwaway group of unlikable teens on spring break.  The movie’s most interesting character is the one it sets up as the stereotypical jerk, Ronnie, adroitly played by Sam Lerner.  The film would have been much better if it had fleshed him out as a three-dimensional character, and had the story revolve around him as a surprise anti-hero.

“Truth of Dare” also borrows maybe a bit too much from “It Follows” (2014) and “The Ring” films (2002-2017). Finally, it confuses the viewer with some head-scratching plot turns near its end.

Oh, well.  The movie still doesn’t deserve the hate it gets.  I figure it’s at least a fun time waster before bed on a weeknight.

 

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Poster for George A. Romero’s “Diary of the Dead” (2007)

The Weinstein Company, Dimension Films.

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A few quick words on the premiere of “The Twilight Zone” (2019)

If the premiere is any indication, then Jordan Peele’s relaunch of “The Twilight Zone” (2019) looks to be quite decent.  It’s got Peele’s fingerprints all over it (he even serves as the narrator here), and that’s a very good thing.  I’d rate it an 8 out of 10.

This first episode, written by Alex Rubens and directed by Owen Harris, channels the same muse as Peele did with his outstanding “Get Out” (2017) — it’s got clever characters, snappy dialogue and gravely dark humor.  I suppose it’s impossible to gauge the quality of an anthology show by its initial episode, but I’m on board.

And one of the upcoming episodes is penned by Glen Morgan, of “The X-Files” fame.  I’d say that’s an auspicious sign too.

 

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Poster for George A. Romero’s “Survival of the Dead” (2009)

SOTD Poster

In the Game of Nolans, predictions are lies.

I’ll say it again.  Sansa’s outfit on “Game of Thrones” is absolutely reminiscent of the Night King’s armor.

Is this a thematic clue?

I keep hearing from fans of the books that there was a “Night Queen” or “Lady of the Night” who figured prominently in the source material.  A few people thought Catelyn Stark would become this figure following the events of the Red Wedding.

I am usually wrong about these kinds of things.  Seriously, all of my predictions about what will happen on popular TV shows inevitably turn to to be false.  But still.

 

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DVD Cover for “1984” (Criterion Collection), 1984

20th Century Fox.

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“The devil pales beside the man who owns a truth …”

Scaffolds, dungeons, jails flourish only in the shadow of a faith — of that need to believe which has infested the mind forever. The devil pales beside the man who owns a truth, his truth. We are unfair to a Nero, a Tiberius: it was not they who invented the concept heretic: they were only degenerate dreamers who happened to be entertained by massacres.

The real criminals are men who establish an orthodoxy on the religious or political level, men who distinguish between the faithful and the schismatic.

—  Emil Cioran

 

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Cover to “Scary Tales” #13, 1975

Charleton Comics Group.  I can’t ascertain the cover artist here.

[Update: Blog Correspondent Pete Harrison has just informed us that the artist is Enrique Nieto.  Thanks, Pete!]

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“Knowledge is the plague of life …”

“Knowledge is the plague of life, and consciousness, an open wound in its heart.”

—  Emil Cioran

 

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