All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

I try not to publicly post things that are too personal, but I would like to share a quick sentiment here tonight.  My family has already experienced great loss in 2016, and today we lost my younger cousin as well.

He was 38 years old.  He had been hospitalized and unresponsive since Friday night, when an undiagnosed heart disease became acute.

Yes, I know that we have all heard it before, but as this year has been so difficult, I can’t help but reiterate the familiar message — you never know how much time you have.

Live each day to the fullest.  Keep your family close, and take the time that you need to connect with them or say what needs to be said.  Make it a priority.  You never know when they will no longer be there.

Publication Notice: “Delaware Sheets” is featured at both Dead Snakes and UFO Gigolo

I am honored to share here that one of my poems, “Delaware Sheets,” was published today by both Dead Snakes and UFO Gigolo.

To read it over at Dead Snakes, click here:  Delaware Sheets.  To find it at UFO Gigolo, follow this link:  Delaware Sheets.

This poem was first featured by Every Day Poets in 2013.

 

Photo credit: By John Dalrymple (originally posted to Flickr as Green Fields) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons

Blue Oyster Box.

Millennials will not get this joke.

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A quick pan of “The Witch” (2015)

I’ve read that renowned horror author Brian Keene criticized the popular audience backlash against 2015’s “The Witch,” saying that “90 percent of the people in the theater … will be too stupid to understand” it.  Well, maybe I am among the stupid 90 percent.  I’d name this movie as the most disappointing horror film in recent memory, and I’d rate it a 2 out of 10.

I … think I understand it.  I just didn’t like it much.  It is alternately boring and sad.  It is boring far more often than it is sad.  When it is sad, it isn’t the cathartic, meaningful, artistic “sad.”  It’s just kind of a grimace-inducing downer.  There are problems with pacing, tension and story structure.  The movie only gets interesting during its closing several minutes.

These problems, however, are overshadowed by the movie’s biggest flaw — most of the (literal) Puritans populating this period story are so unlikable that you’d care little about what happens to them.  They are verbosely, tiresomely God-obsessed.  I myself might strike a deal with the devil if he’d silence the two creepy tots, and maybe the shrewish, hysterically shrill mother (Kate Dickie), too.  He wouldn’t have to kill them or anything — muting them would suffice.

Yes, the film does succeed somewhat in establishing mood and tone.  But the result is still nothing to write home about.  This isn’t “It Follows” (2014).

The film has two things going for it.  One, as other reviewers have noted, it achieves authenticity quite well.  The sets, costumes and dialogue were so meticulously developed that I actually did believe we were in 17th Century New England.  Two, Anya-Taylor Joy wonderfully performs the role of young Tomasina.

Those two things do not redeem the film, however.  I’d skip this.

 

 

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Gonna write a voodoo-themed inspirational book.

Gonna write a voodoo-themed inspirational book; gonna call it Chicken Heads for the Soul.

Seriously, people, when I have great ideas like this, it’s okay to just send money to my PayPal account ahead of time.

A review of “X-Men: Apocalypse” (2016)

At the start of “X-Men: Apocalypse” (2016) I was worried that I was finally beginning to experience a degree of “viewer fatigue” in connection with the beloved franchise.  This would be the ninth film since the X-Men first hit the big screen in 2000, if you count this year’s “Deadpool,” and its somewhat formulaic setup felt by-the-numbers.  Once again, a diverse, earnest, international group of young people unite under Charles Xavier’s leadership to combat an even greater threat than the one presented by the last film.  (This time it’s “Apocalypse,” a Big Bad with truly godlike powers.)  And they save the day despite their youth, their inexperience, their self-doubt or the suspicions of a prejudiced humanity.)  How exciting can the arrival of Angel (Ben Hardy) and Nightcrawler (Kodi Smit-McPhee) be if these were already key reveals in past movies?  And … the cameo?

There are script problems.  The whole thing is cluttered with too many major characters.  Many are thinly drawn; a few make inexplicable, major decisions that affect the plot.  Fan favorites like Mystique (Jennifer Lawrence) and Magneto (Michael Fassbender) get too little attention to make their ardent fanbases happy, I think.  The villain looks like a middle-aged and particularly grumpy member of Blue Man Group.

And, yet … I still frikkin’ loved this.  I’d grudgingly give it a 9 out of 10, simply because I enjoyed it so much.  It’s the X-Men.  It’s a big-budget, globally staged smackdown with great special effects, and it was obviously made by people who love the source material and tried to stay true to it, despite its inevitably campy nature and its implausibility.  Characters like Havoc (Lucas Till) and Psylocke (Olivia Munn) are fun to watch.  (Am I the only one who nostalgically remembers the latter character from the 90’s comic books?)  There is even a really nice stab at self-referential humor poking fun at the earlier films.

This movie had two things going for it that really made me want to see it a second time around.  The first is Quicksilver.  The X-Men movies will probably never equal the skillfully made blockbusters of that other Marvel universe, but I’ll be damned if the franchise doesn’t totally beat them out in rendering this character.  (Yes, this is indeed the same character in the comics who inspired Scarlet Witch’s brother in “Avengers: Age of Ultron” (2015).)  Evan Peters brings great charisma to the role; the special effects connected with his action sequences are beautiful and goddam perfect.  He’s easily cooler and more likable than any other teen superhero I can remember — and that includes Tom Holland’s excellent new Spider-Man.

The second thing that make me want to watch it again is the action sequences.  The finale is damn fun.  I think it must be difficult to write, stage, direct and physically perform a melee among a group of combatants with various superhuman abilities and varying degrees of power.  But the climax here works.  It’s an entertaining battle that feels like it was lifted perfectly from the comics, and it ought to please fans of the genre.

Anyway, I obviously do recommend this.  Check it out.

 

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From the “Bulletin of the State Normal School,” Fredericksburg, Virginia, June 1915

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“December” appears at Peeking Cat Poetry Magazine

The May 2016 issue of Peeking Cat Poetry Magazine was released today; my poem, “December,” appears on page 19.

If you would like to purchase a paperback copy of the magazine, please click here:

http://www.lulu.com/shop/samantha-rose/peeking-cat-poetry-magazine-issue-14-may-2016/paperback/product-22721779.html

If you would like to download a free pdf copy of the May issue, please click here:

http://www.lulu.com/shop/samantha-rose/peeking-cat-poetry-magazine-issue-14-may-2016/ebook/product-22721789.html

 

Peeking Cat Poetry Magazine Issue 14 - May 2016

Operation Market Garden, Holland, September 1944 (Photo)

This Memorial Day, while we all enjoy the three-day weekend, let’s also remember those who gave their lives so that we could live freely.

 

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Parachutes open overhead as waves of paratroops land in Holland during operations by the 1st Allied Airborne Army., 09/1944

Publication Notice: Peeking Cat Poetry Magazine to feature “December”

I just got some very nice news — Samantha Rose over at Peeking Cat Poetry Magazine just told me that my poem, “December,” will be featured in the next issue.  “December” was first published by Dagda in 2013.

It’s always an honor to be included within a terrific creative community like Peeking Cat.  Thanks, Sam!