Tag Archives: 2014

Cover to “Battlestar Galactica: Six” #1, Jenny Frison, 2014

Dynamite.

A scary movie double-feature!

Alright, it’s arguable whether either film was actually scary.  I had fun, though.

First up last weekend I watched “Creep” (2014) and then I finally got to see “The Beast From 20,000 Fathoms” (1954).  I’d wanted to see “The Beast” since I was a little kid.  I was a nut for anything created by monster-maker special effects wizard Ray Harryhausen, and I’d seen a clip of the titular dinosaur’s Manhattan rampage in a documentary about movie monsters.  Man, was a mesmerized.  But “The Beast” was one Harryhausen creature that never seemed to make the rounds on 1980’s television.

Anyway, I had a nightcap of two vintage animated shorts — “Skeleton Frolic” (1937) Disney’s The Haunted House (1929).



Cover to “Nightcrawler Volume 1: Homecoming,” Chris Samnee, 2014

Marvel Comics.

Sculpture of Roger Ebert by Rick Carney, 2014

Outside the Virginia Theater in Champaign, IL.  Photo by “Bordwall,” 2015.

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Throwback Thursday: that one time an eclipse heralded a vampire apocalypse.

Seriously, if you’re a horror fan and you’ve somehow missed the television adaptation of Guillermo del Toro’s “The Strain” (2014-2017), then you don’t know what you’re missing.



A few quick words on the series premiere of “Secret Invasion” (2023).

I’ve never actually read a comic book featuring the shapeshifting alien Skrulls.  The story concept always seemed too campy for me.  (And it still does.)  But I still had loads of fun with the first episode of Marvel’s “Secret Invasion” (2023).  I’d cheerfully rate this new limited series an 8 out of 10.

There are two clear reasons here.  The first is that I love comic book stories in which ordinary, non-powered characters are working with (or against) superpowered characters — it makes the story and action feel more grounded in reality, and the juxtaposition is always fun to explore.

The second is that the Marvel Cinematic Universe just happens to be good at the cloak-and-dagger stuff.  It’s a little surprising, if you think about it.  Here we have a fictional universe known for linchpinned by story conceits derived from science fiction or magic.  Yet the MCU’s stories about spies, governments and politics remain fan favorites.  (Look at the broad-based appeal of 2014’s excellent “Captain America: Winter Soldier,” for example.)  As I’d hoped, I really enjoyed the twists and surprises of the first episode.

Samuel L. Jackson, Martin Freeman, Emilia Clarke are always a pleasure to watch.  And I’m starting to understand that Ben Mendelsohn is really terrific too.

This looks to be one of the better MCU outings.  I recommend it.



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Ghost Nolan sez hello.

The spooky season is here again.  As during every October, I am trying to get into the spirit of things.

I started with the quite decent vampire comedy, Netflix’ new “Day Shift” (not to be confused with the unrelated but fabulous 2014 vampire comic series, “Day Men.”)  It was a fun watch.  The humor and drama were frequently pretty clunky, but the vamps were scary and the fight choreography was so good it reminded me of the “Blade” trilogy.

I also caught episode 1 of AMC’s new Anne Rice adaptation, “Interview With The Vampire.”  It was stylish, detailed and thoughtful and it was brutal at the end — this looks like the start of a great horror series.

Next on the list, of course, will be the resumption of AMC’s “The Walking Dead.”

By the way … . this is what I look like when I haunt your house at night.



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day-shift-netflix-review

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Children’s art from Ukraine, 2014

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Photo credit: ВО «Свобода», CC BY 3.0 <https://creativecommons.org/licenses/by/3.0&gt;, via Wikimedia Commons

Cover to “Thanos: A God Up There Listening” #3, Dustin Nguyen, 2014

Marvel Comics.

thanos

Cover to “The Phantom Stranger” #19, Guillem March, 2014

DC Comics.

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