Tag Archives: Mary Washington College

“Gonzalo,” by W. H. Auden (recited by Eric Robert Nolan)

A selection from “The Sea and the Mirror.”

Two virtual silkscreens by Steve Miller, 2018

The first dog you see here actually does have eyes that are different colors.  You can find more of Steve’s work right here: http://www.virtualsilkscreens.com/.

 

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“Not of Byzantium,” by Eric Robert Nolan

“Not of Byzantium”

Awakening at one AM after dreaming
not of Byzantium,
not of Babylon, but better —
Not Shangri-La, but shaded limb —
The pine I climbed when I was nine.

No Acropolis, only
fallow farm and rising sun.
Across, a distant treeline
ascends to render Athens’
Parthenon prosaic.

Exceeding empires, exceeding
even Elysium, is
This slumber’s ordinary boyhood field.

(c) Eric Robert Nolan 2015

Originally published in Dead Snakes.

 

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Photo credit: kallerna [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)%5D, via Wikimedia Commons

My poetry, 2017

Hey, gang.  I hope that you all had a terrific Christmas, and I hope that everyone enjoys a safe and happy New Year’s Eve tonight.

If you’d care to ring in 2018 with a little poetry, here’s where you can find everything I’ve published over the past year:

My poetry, 2017 

 

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“As Silver as the Stars You Tried to Rival,” by Eric Robert Nolan

“As Silver as the Stars You Tried to Rival”

The
world grows
darker in increments,
earlier every evening,
as Autumn’s arcing swallow bends to curve
at long last, rounding down, to the hardening ground, where only brown
leaves outlast November’s burning rug of reds and flaming footprints,
cast-off scarlets,

now giving way
to the gunmetal gray
of winter’s coarse eagle, its ash-gray and annual, slow,
feathered rule of sky ascends hemispheres, its lead belly
groaning for hare or softer birds, its slate eyes searching, yet ridden with hints of silver —

— thin silver threads in the breast of the lead predator,

ascending
screaming “December,”
slow, as slow as frost, as cold as loss,
frigid, frigid like a still photo and its forever frozen face there,
black and white, its timeless smile a lie, exposed by common calendars and your indifference.

If those blacks and whites were shaken up in a glass bottle, the jumbled shades under glass might make
silver:

— thin silver threads out of memory:

— as silver as the slimming minnows that you kicked
out of shallow water onto sand at 9
with the other boys
birthing, then returning swimming platinum
to the warm-womb mine of that black lake, you knew
that summer would never end —

— as silver as your father’s hair, when you were 13, the last time that you thought
your father would never end —

— as silver as the cross you gave to your first love,
kissing you at 16, there in the stairwell at school.
She laughed at your
accidental piety.
You thought it was a curving swallow;
it was a tiny crucifix.
And you told her
love would never end —

–as silver as the stars you tried to rival, drunk at 21, drunk at Cape Hatteras during the storm, drunk at the face of the Universe.
At “Kill Devil Hills” you balked at God.
The stars shouted with light, the violet-sable sky reeled and vaulted purple-black, interminable, drunk in its excess of self, the rhythmic, clutching sea its unforgiving son.

Your friends
warned you away from the sea.
The curving waves would swallow you.
They warned you, “You get dark when you are drunk.”
“And, besides, you’ll die.”
You laughed and stormed the waves against their wishes.
And you were dark. Your violet-sable heart
reeled and vaulted purple-black. You laughed
and shouted back at the stars,
young-mad and piss-drunk,
the freezing forward ramparts stung you but
you stormed in headfirst, headstrong, and interminable:

this night would never end,
and if it never ended, how could you?

(c)  Eric Robert Nolan 2015, originally published by Dead Snakes 2015

 

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Photo credit:  bigwavephoto / Wikimedia Commons

I got my mind on my Monet and my Monet on my mind.

I abhor the work of Claude Monet.  I do.  The fact that his paintings monopolized the covers of art textbooks is probably why I never took an art class in college.  (Mary Washington actually had a pretty popular art history course; my friends exhorted me to take it, but I never followed their advice.)

I don’t even much like the piece you see below.  I’m running this blog post simply because I’m proud of the pun in its headline.  Again — you people really should be paying me for these jokes.

Anyway, the title of Monet’s 1881 painting below is “Ship Aground.”

 

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Site update — My video and audio recordings

Hi, gang.  This is just a quick note to let you know I’ve added a new page here at the site to sort of round up my poetry recordings.  You should be able to find any one of them right here:

My video and audio recordings

The page includes a link to my Youtube channel.  I hope you all had a terrific Thanksgiving yesterday!

 

 

 

“November, Blue Ridge Mountains, 1992,” by Eric Robert Nolan (recited by the author)

This is me reciting a very short love poem that I wrote in college.  “November, Blue Ridge Mountains, 1992” was first published in 2013 by the International Ware Veterans Poetry Archive.

November compelled us to visit the hills
Where ignorant rock and lofty pine
Were witness to our disregard
For strangeness, temptation and time.

But memories are sticky things.
Will any mountain ever let
Me dream again? Can I now
Feel rain without regret?

 

“The Third Temptation,” by W. H. Auden, read by Eric Robert Nolan

Part VIII of W. H. Auden’s “The Quest.”

 

Throwback Thursday: the Card Catalog

I remember learning to use the card catalog in grade school in the 1980’s.  It was intimidating for a young kid.  The teacher made a big deal out of it, and those long, light brown wooden cabinets looked positively monolithic.  They looked as though they were holding difficult math problems in their uniform, ordered little drawers, in the same manner as the mute Sphinx might hold impossible riddles.

And I still remember how surprised I was at how easy it was.  You only had to remember one of three things: author, subject or title.  And the alphabet took care of the rest.  Every kid knew the alphabet.  It was a bizarrely empowering experience for a young, nascent nerd.

No, we didn’t have the Internet.  Hell, we didn’t even have the Internet for research purposes when I was in college.  I remember driving with Tom (the other most befuddled member of Mary Washington College’s psychology program) an hour and a half to Charlottesville to research our term papers at the University of Virginia.  That was a long drive.

 

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