All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“Witches Going to Their Sabbath,” Luis Ricardo Falero, 1878

(Or “The Departure of the Witches,” a.k.a. “The Vision of Faust.”)

Oil on canvas.

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Forever and Always.

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“A Small Town,” by R.J. Davey

I’m linking here to one of R. J. Davey’s latest poems.  This one really speaks to me.

https://regdavey.tumblr.com/post/166811389028/a-small-town

 

 

 

Oh, God — I love the Scots!!

If Ginger Jesus can do it, then so can we.

 

Cover to “Catwoman” #35, Joshua Middleton, 2014

(Variant cover.)

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Poems-for-All releases four mini-books of my writing!

I’m honored today to see the Poems-for-All project publish four of its signature “miniature books” featuring my work – two with my flash fiction and two with my poetry. Poems-for-All is a unique and truly inventive California-based publisher that produces these mini-books and then distributes them for free in variety of public places. That way, they’re “scattered like seeds” and can reach and surprise new readers – and maybe even create new lovers of poetry. (They’re even shared in Scotland at the St. Andrews International Poetry Festival.) All four of the mini-books containing my writing feature beautiful artwork by publisher Robert Hansen. (I just love the covers!)

The first flash fiction mini-book features my 100-word horror story, “There in the Bags” (just in time for Halloween). The second features my responses to the popular online Six-Word Sci-Fi Story Challenge.

The first mini-book containing my poetry contains the first stanza of my most popular poem, “Confession.” (It works well as a standalone short poem.) The second contains my recent poem, “Consciousness Haiku.”

I remain tremendously grateful to Mr. Hansen for selecting my work for this fun and innovative project, and for producing such terrific artwork to accompany my writing.
For more information on Poems-for-All, please see the project’s website here:

https://poems-for-all.com/  

 

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Cover to “The New Yorker,” Charles Addams, October 31, 1988

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Tuesday Morning is a great store.

So this is the Day-of-the-Dead-style light-up skull that I bought at Tuesday Morning and then sent to a friend.  I packed it with assiduous care, but of course it arrived broken anyway, because U.S. postal employees are a brutish, godless people who know no love nor any mercy.

Anyway, the people at Tuesday Morning in my friend’s town let her exchange it, no problem — even when it was abundantly clear that it wasn’t the company’s fault.  And the salesperson was really nice about it.

And the skull itself is wicked-cool, isn’t it?

 

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A very short review of “The Walking Dead” Season 8 premiere

My enjoyment of “The Walking Dead” has waned sufficiently to make me wonder whether I should still call myself a fan of the show; it was sometime during Season 6 when I really began watching simply to see if it would get better.  With that said, I’d be lying if I said I didn’t enjoy last night’s premiere of Season 8.

I’d rate it an 8 out of 10 for its creators’ wise reliance on fan service to salvage a weary narrative.  They were successful enough to make me enjoy the episode, which was quite generous with action and special effects, including the show’s state-of-the-art zombie effects.

If you squint just a little, you can still see that “The Walking Dead” is worn at the seams.  This just isn’t a program that does dialogue or character development very well.  Dear God, am I sick of the saccharine pep talks among Maggie, Rick and Jesus.  It’s like a bowlderized menage a trois scripted by Hallmark card writers, in which everyone is masturbating one another verbally and metaphorically instead of literally.  (Strangely enough, though, the show does just fine scripting and characterizing its villains.  Negan and his henchman — including the traitorous Eugene — all seem to have distinct voices, are interesting to watch, and are well portrayed by their actors.)

There were plotting and logistical problems too … it seems to me that our heroes had ample opportunity to finally shoot Negan (in a story conclusion that we should have seen ages ago), yet inexplicably chose to expend countless rounds at his building’s windows.

I’d be lying if I said I didn’t enjoy the episode, though.  There was a lot of childish fun to be had with the explosions, armored vehicles, and grotesque zombies, not to mention the long overdue emotional payoff of watching Rick and company finally take the fight to Negan.  If you used to love this show and want to love it again, the premiere will at least give you a little hope.

 

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It’s 2 AM and I can’t sleep.

This isn’t the America I grew up in.

I am looking out the window at a strange country.