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Detail from “Monastery of Innisfallen Island and Ross Castle Killarny,” William L. Walton after Frances Emilia Crofton, 1854
Lithograph.

Spellchick.
Cover to “Detective Comics” #691, Scott McDaniel & Bob LeRose, 1995
DC Comics.

Keep ’em separate.
I’ve said it before, and I’ll say it again …
Church and State are like chocolate and tuna fish. Either one of those things can be just fine on their own — but not when they’re combined together.
Nolan’s Insomnia Theater Presents: “Frankenstein” (1931)
I watched “Frankenstein” (1931) last night, as it was one of those immeasurably frustrating nights when I couldn’t sleep. No, this movie obviously can’t be considered frightening by modern standards — but I still had fun finally seeing a Universal Pictures monster movie I’ve heard about all my life.
Here are a few fun Frankenfacts, courtesy of Wikipedia:
- If the story here feels static and dialogue heavy, there’s a reason for that. Like “Dracula” (which Universal Pictures released the same year), “Frankenstein” was adapted from a stage play, which itself had been adapted from its classic novel source material.
- The makeup effects for Boris Karloff’s monster might seem simple by today’s standards, but people went nuts for them in 1931. I can’t imagine what a Depression-era filmgoer might think of a modern tv show like “The Walking Dead.”
- If you think Hollywood relies too heavily on cheesy sequels today, take a look at the B-list stuff that followed this classic movie: “Bride of Frankenstein” (1935), “Son of Frankenstein” (1939), “The Ghost of Frankenstein” (1942), “Frankenstein Meets the Wolf Man” in 1943 (which was also a sequel to 1941’s “The Wolf Man”), “House of Frankenstein” (1944), and “Abbott and Costello Meet Frankenstein” (1948). Dr. Frankenstein’s monster also showed up in “House of Dracula” (1945).
- “Frankenstein” has something else in common with “Dracula” — the talented, hyperactive character actor, Dwight Frye. Here he is the scene-stealing assistant to the doctor — he is Dracula’s minion, Renfield, in the other film.
- Frye’s character is not named “Igor,” as countless homages and references to this movie might lead you to believe. His name is “Fritz.” There is a deformed, graverobbing henchman named “Ygor” in the later “Son of Frankenstein,” and I am guessing the two movies are just easily conflated in popular memory. Also … the mob of townspeople never storm Frankenstein’s castle with torches and pitchforks. They instead chase the monster to an abandoned windmill at the top of a mountain, and destroy him there. (I am guessing that the denouement I thought I’d see also comes from a sequel.)
- I … might have noticed a major plot hole for the movie. (Yes, I realize that it is almost certainly absent from Mary Shelley’s 1918 novel, which I have not read). The townspeople want to hunt down the monster for his accidental drowning of little girl. But … how did they know the monster was even involved? We are shown nobody witnessing the tragedy. In fact, how do the townspeople even know that the monster exists — and that it was loose from the laboratory if its birth? Granted, I might have missed something — it was a sleepless night for me, after all.
Let me close with two observations:
- The castle housing Frankenstein’s laboratory would be a wicked cool place to live if it were properly renovated. Think about it. You’d need to wire it everywhere with reliable heat and electricity, and then somehow keep it dry — no small feat for an abandoned castle. But could you imagine how amazing it would be to have a home office there? A library? A home theater? A dining room? You could have a whole Victor von Doom thing going on.
- I really want to see “Abbott and Costello Meet Frankenstein.” I think that will be next for a sleepless night.

Variant Cover to “Doctor Fate” #1, Ibrahim Moustafa, 2015
DC Comics.

“The line dividing good and evil cuts through the heart of every human being.”
“If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”
―

A monument dedicated to Solzhenitsyn in Brodnica in Poland. Photo credit: Czonek, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons
The Salem Times-Register prints my letter about the defenders of Ukraine.
I learned a little while ago that the Salem Times-Register printed my recent letter about the courage of the Ukrainian people protecting their homeland. You can find it right here.
Thank you, Editor Shawn Nowlin, for allowing me to share my thoughts with my neighbors in Southwest Virginia.
“people are not good to each other”
we forget the terror of one person
aching in one room
alone
unkissed
untouched
cut off
watering a plant alone
without a telephone that would never
ring
anyway.
people are not good to each other
people are not good to each other
people are not good to each other
and the beads swing and the clouds obscure
and dogs piss upon rose bushes
the killer beheads the child like taking a bite
out of an ice cream cone
while the ocean comes in and goes out
in and out
in the thrall of a senseless moon.
and people are not good to each other.
— excerpt from Charles Bukowski’s “the crunch”
* There are multiple different versions of this poem in which the text varies.

Rogers Street Bridge Railing Shadow.. Photo credit: Larry D. Moore, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons




