Attributes of Beg-tse in a Tibetan rgyan tshogs banner.

Detail of a bull, a horse and an elephant.

L0030399 Attributes of Beg-tse in a Tibetan "rgyan tshogs"

F.I.R.S.T. Robotics Competition at Blacksburg High School, VA, March 2017

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Southwestern Virginia between Salem and Blacksburg, March 2017

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“A little knowledge is a dangerous thing.”

The above has been one of my favorite sayings for decades.  I thought it was a Chinese proverb, and I thought it had different levels of meaning.

Well … I learned tonight that it is a misquote; it was originally written as “A little learning is a dangerous thing.”  It is also not Chinese — it was written by Alexander Pope in his “Essay on Criticism” in 1711.  (And the “essay” is actually a book-length poem.)

 

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A short review of “XX” (2017)

I’m sorry to report that this year’s “XX” doesn’t quite live up to the great horror anthology that its trailer promises.  This quartet of female-directed horror shorts is actually quite average, when considered together, and I’d give it a 6 out of 10.

Only the first segment is truly memorable — “The Box,” adapted from a short story by Jack Ketchum.  The directing and scoring is superb.  (Seriously, the music is quite good.)  The acting is also good throughout this segment, most especially by “The Strain’s” Natalie Brown.  She’s a good actress and she’s starting to grow on me.  (And her memorable last lines here, which I assume come from the text of Ketchum’s story, are weird and haunting.)  This quarter of “XX” gets under your skin.

Despite “The Box” being capably developed and unnerving, however, there were no conventional scares at all.  It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable.  Nor is the story’s mystery solved — it’s left open-ended.

The second segment is largely a waste of time, despite being stylishly shot and scored.  (Hint: it’s got the same story device as “Weekend at Bernie’s.”)

The remaining two tales are more standard horror stories.  I’d suggest they are somewhat fair at best.

I think I would recommend this only to the most well rounded horror fans who are in the mood for something different.  And, even then, it might only be for the peculiar elements of “The Box.”

 

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Cover to “Batman: The Vengeance of Bane,” Glenn Fabry, 1993

I’ve always had mixed feeling about this classic cover.  The composition is excellent.  Bane and his victims look great.  (I’ve actually got a copy of this autographed by Chuck Dixon and Graham Nolan; they were among my favorite creators when I was fervently collecting comics at college.)

But that’s got to be one of the ugliest Batmans I’ve ever seen, and I don’t think the cowl should look so much like a skull cap.

 

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Auguste Feyen-Perrin’s “Remorse,” 1885

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This year, I’m giving Lent up for cigarettes.

Konstantin Korovin’s “Paris Night,” early 2oth Century

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The trees around the Salem Post Office are goddam creepy.

They’re like undead Ents or something.

Why is that?

Also, I’ve come to learn that the bamboo I keep seeing is “golden bamboo,” a non-native, invasive species.

 

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Nurse Your Favorite Heresies in Whispers