Tag Archives: Eric Robert Nolan

Poems-for-All releases four mini-books of my writing!

I’m honored today to see the Poems-for-All project publish four of its signature “miniature books” featuring my work – two with my flash fiction and two with my poetry. Poems-for-All is a unique and truly inventive California-based publisher that produces these mini-books and then distributes them for free in variety of public places. That way, they’re “scattered like seeds” and can reach and surprise new readers – and maybe even create new lovers of poetry. (They’re even shared in Scotland at the St. Andrews International Poetry Festival.) All four of the mini-books containing my writing feature beautiful artwork by publisher Robert Hansen. (I just love the covers!)

The first flash fiction mini-book features my 100-word horror story, “There in the Bags” (just in time for Halloween). The second features my responses to the popular online Six-Word Sci-Fi Story Challenge.

The first mini-book containing my poetry contains the first stanza of my most popular poem, “Confession.” (It works well as a standalone short poem.) The second contains my recent poem, “Consciousness Haiku.”

I remain tremendously grateful to Mr. Hansen for selecting my work for this fun and innovative project, and for producing such terrific artwork to accompany my writing.
For more information on Poems-for-All, please see the project’s website here:

https://poems-for-all.com/  

 

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Tuesday Morning is a great store.

So this is the Day-of-the-Dead-style light-up skull that I bought at Tuesday Morning and then sent to a friend.  I packed it with assiduous care, but of course it arrived broken anyway, because U.S. postal employees are a brutish, godless people who know no love nor any mercy.

Anyway, the people at Tuesday Morning in my friend’s town let her exchange it, no problem — even when it was abundantly clear that it wasn’t the company’s fault.  And the salesperson was really nice about it.

And the skull itself is wicked-cool, isn’t it?

 

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A very short review of “The Walking Dead” Season 8 premiere

My enjoyment of “The Walking Dead” has waned sufficiently to make me wonder whether I should still call myself a fan of the show; it was sometime during Season 6 when I really began watching simply to see if it would get better.  With that said, I’d be lying if I said I didn’t enjoy last night’s premiere of Season 8.

I’d rate it an 8 out of 10 for its creators’ wise reliance on fan service to salvage a weary narrative.  They were successful enough to make me enjoy the episode, which was quite generous with action and special effects, including the show’s state-of-the-art zombie effects.

If you squint just a little, you can still see that “The Walking Dead” is worn at the seams.  This just isn’t a program that does dialogue or character development very well.  Dear God, am I sick of the saccharine pep talks among Maggie, Rick and Jesus.  It’s like a bowlderized menage a trois scripted by Hallmark card writers, in which everyone is masturbating one another verbally and metaphorically instead of literally.  (Strangely enough, though, the show does just fine scripting and characterizing its villains.  Negan and his henchman — including the traitorous Eugene — all seem to have distinct voices, are interesting to watch, and are well portrayed by their actors.)

There were plotting and logistical problems too … it seems to me that our heroes had ample opportunity to finally shoot Negan (in a story conclusion that we should have seen ages ago), yet inexplicably chose to expend countless rounds at his building’s windows.

I’d be lying if I said I didn’t enjoy the episode, though.  There was a lot of childish fun to be had with the explosions, armored vehicles, and grotesque zombies, not to mention the long overdue emotional payoff of watching Rick and company finally take the fight to Negan.  If you used to love this show and want to love it again, the premiere will at least give you a little hope.

 

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Yeah, my old Halloween decorations are pretty modest.

The ones that I received as a gift last week are a thousand times cooler.

And I still haven’t gotten around to creating or buying a proper glow-in-the-dark skull, as my efforts to craft one last year ended so roundly in disaster.

Still, the light-up plastic pumpkin is pretty neat.  There was a little boy up in Northern Virginia who was utterly fascinated by it.  I wanted so badly to give it to him, but of course you can’t give an electrical item to a young kid.

Speaking of pumpkins, you can see below that I did get a real one this year.  What should I do with it?  Draw a face?  Carve it into a Jack-o’-lantern?  I have zero artistic ability, so I’m only going to embarrass myself.  If I do anything with it, I have my heart set on the mask design for Matt Wagner’s “Grendel” comic book villain.  But I’m still open to suggestions, and I can always get another pumpkin.

 

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I sound just like Brendan Gleeson right now. I am AWESOME.

Tonight’s agenda — speak exclusively in British slang; tell all the nobs to bugger off, and sort out all the bellends. Then meet up with a nice bird who isn’t a tart.

Nice one. Right, my British slang is proper, innit? Oh, you don’t think so? GET OUT OF IT, THEN.

Tally ho!

Sally forth!

And let slip the dogs of war!  (Or something!)

Now is the winter of our discontent made glorious summer by this son of York!!

[Update: God damn it. I realized just now that Brendan Gleeson is IRISH.]

 

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That time when Sherlock and Watson grew up.

“Sherlock” Season 4, Episode 2. The three-way conversation in this scene gets me every time. It might have been the best segment of the entire show in some ways.

Yes, there were some strange tonal and stylistic changes in this last season. But Season 4 also offered some of the show’s best screenwriting and acting. The depth and maturity of this scene alone makes all the previous episodes (which were all outstanding) seem sophomoric by comparison.

This was the season when the two lead characters stopped resembling only fun, quip-a-minute 20-something yuppies and became mature adults and equal partners. This and the change in the show’s tone were both brave creative choices on the part of the writers.

I’ve said it before, and I’ll say it again — I’ve loved the Sherlock Holmes books and stories since I was a kid, and this might be the best film or television adaptation I’ve ever seen.

 

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Throwback Thursday: “Manimal” (1983)!

“Manimal” (1983) was an infamously bad TV show.  It was so bad that it became a routine punchline on “Mystery Science Theater 3000” about a decade later.

I dunno.  I remember being pretty keen as a kid to watch this dude turn into a panther.  (Panthers, by the way, were kind of a thing for a while in the 1980’s — on posters, stickers, notebooks, etc.  The girls had their unicorns and the boys had their panthers.)

 

COOLEST Halloween decorations ever!!!!

I’ve been thinking over the past several days that I’ve singularly failed this year at getting into the Halloween spirit.  (It’s important, folks — Halloween is the horror fan’s Christmas!)

And then these creepytastic things were given to me by a particularly talented crafts-lady.  (She made the candlesticks and skeleton-fairy herself!!)

 

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“The Poets’ Residences” (A rhyming couplet)

This was in response to a writing prompt yesterday at the launch event for the Peeking Cat 2017 Anthology.  We had 20 minutes to write a rhyming couplet as part of a contest.  (The instructions were to write a rhyming couplet on the subject of “books.”)

I came up with this in five.  I’d like to think it’s not altogether bad.

“The Poets’ Residences”

Like ordered hearts we line our tomes
Along the walls of lovelorn homes.

 

Oh!  There was another writing prompt with the subject of “cats.”  Here is the untitled couplet I came up with for that:

The finest cats are not all kittens;
Cougars often leave me smitten.

(Yeah, that kinda isn’t high art.)

 

 

 

 

A few quick words on “Fear the Walking Dead” Season 3 (2017)

For my money, “Fear the Walking Dead” is the best zombie show on television.  Yes, it has its share of stupid parts — sometimes the writers seem to throw in some incredibly implausible story points only to test viewers’ credulity.  (My favorite this season was the occupants of a heavy truck throwing a beeping keychain from a horde-infested highway — the zombies are attracted to the sound of the keychain, but not the rumble and movement of the truck that sneaks past them.)

On other levels, “Fear the Walking Dead” can be a relatively smart show — at least more so than its more famous progenitor, “The Walking Dead.”  I’m talking about being smart in terms of character, dialogue and themes.  Sometimes I think of it as “The Walking Dead for Grownups.”  The characters are … often more three-dimensional and compelling than their counterparts on the flagship show.  Not being based on a comic series, they’re not bound by the medium’s character tropes, the way that Rick Grimes and company always seem so inescapably tethered.   They feel more like real people, and not the disposable inhabitants of Robert Kirkman’s (admittedly excellent) comic series.   That makes the show scarier, because the characters are more identifiable.

The dialogue and story logistics are far more thoughtful.  The stories themselves are more expansive, more quickly paced and farther reaching.  Consider the three major locales covered this season — the ranch, the dam and the bazaar.  Two out of three of those settings are explored in depth — along with the characters inhabiting them. (I’d like to see more of that bazaar.)  Now consider how slowly “The Walking Dead’s” major plot-lines move.  It would take the latter at least three seasons to cover the major stories covered in a single season of “Fear the Walking Dead.”

I know this show has its share of detractors, but I’d rate Season 3 a 9 out of 10.

 

 

 - Fear the Walking Dead _ Season 3, Key Art - Photo Credit:  AMC