Tag Archives: 2017

A short review of the premiere of “The Mist” (2017)

I couldn’t help but feel just slightly disappointed by the premiere of “The Mist” (2017).  It wasn’t bad … it just wasn’t as amazing as its trailer made it look.  I’d rate it a 7 out of 10.

The first episode’s horror elements felt rote, rushed and cheesy.  The pre-credits teaser was nearly campy.  Director Adam Bernstein just isn’t Frank Darabont.  (Curiously, each episode seems to be helmed by a different director.)  And what seems like “The Mist’s” milquetoast main protagonist is played somewhat anemically by Morgan Spector.

Still, the show displays some promise.  Instead of rushing straight into its otherworldly-monster MacGuffin, it goes to great lengths to set up some interesting human drama, and it mostly succeeds.  Besides Spector’s ostensibly likable Dad, the characters felt fresh and interesting.  (And regarding that human drama?  I strongly suspect the individual accused of the crime here is not the actual perpetrator.  That’s what the clues are telling me, anyway.  It would be devilishly clever, I think, if his accuser turned out to be the one guilty.)  “The Mist’s” attention to characters here is something of which I think Stephen King would approve.

The show also seems pretty ambitious.  It places its diversity of characters in a number of locations throughout its small-town setting, and a couple are embroiled in some kind of interesting conflict even before the titular mist arrives.  For just a single episode, it feels tightly plotted.

Anyway, if you’re curious about what the mist really is … there is an explanation in King’s source material — and I’m not talking about only the vague allusions in the novella of the same name.  Die-hard King fans know it was further described in his “The Dark Tower” series.  It’s been named as “todash space” by the denizens of one of King’s many worlds — it’s a monster-filled limbo that falls between myriad parallel universes: http://stephenking.wikia.com/wiki/Todash_space.

 

 

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Mary Washington’s grave and the Gordon Family Cemetery, Fredericksburg, VA, June 2017

The entrance to Kenmore Park/Memorial Park on Washington Avenue.  The obelisk itself is the grave of Mary Washington, George Washington’s mother; right behind it is the Gordon Family Cemetery.  Although George’s father died when he was just 11 years old, his mother saw him ascend the presidency.  She died in 1789.

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Looking east from the park’s entrance, you can see First Christian Church, on the intersection of Washington Avenue and Pitt Street.

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Washington Avenue looking south.

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Gordon Family Cemetery.  The Gordons lived at Kenmore; the gravestones date from 1826 to 1872.

If you were a Mary Washington College student returning from a party downtown in the 1990’s, you could pass the cemetery on your way back to campus at night.  I saw a group of high school kids inside the cemetery one night; they scattered in a panic when they realized I’d noticed them.  (To my knowledge, no Mary Wash kids were involved in shenanigans like that here.)  I believe it is illegal to enter a cemetery like this at night … and I have it on good authority that Southern cops take such an offense very, very seriously.

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Behind the cemetery is Meditation Rock.  This was an occasional destination for college students out for a walk.  Shortly after I arrived at Mary Washington in 1990 from New York, a patient group of upperclassmen “adopted” me and kindly resolved to keep me out of trouble.  (One of them is still my “big brother” today.)  This is one of the first places they showed me when they gave me a tour of the town.

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Am I a weird guy if I suggest that images of Meditation Rock can have Freudian undercurrents?  Is that wrong?  There is a whole “Picnic at Hanging Rock” vibe here.  (The sad thing is, I was actually studying Freud at about the time I first saw it, and it never occurred to me then.)  The juxtaposition with the nearby images associated with death and godliness is aesthetically striking.

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The Kenmore Apartments are still across Kenmore Avenue on the other side of the park.

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Mary Washington College, Fredericksburg, VA, June 2017 (6)

Pictured are Willard Hall, The Fountain, Woodard Campus Center and New Hall.

*****

My cell phone’s battery died as my Alumbud and I reached the northern end of Mary Washington College’s campus earlier this month.  Hence, there are no pictures of the truly massive Simpson Library/Hurley Convergence Center.  (I swear to you, that entire complex is about the size of the goddam S.H.I.E.L.D. Helicarrier.)

 

Willard Hall and The Fountain.

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Woodard Campus Center.  I don’t remember calling it that when I went to school here in the early 1990’s.  Wasn’t it just “The Student Center?”

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The student mailboxes.

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Inside Woodard.  The Eagle’s Nest would be down and to the left.  Upstairs was where the fall and spring formals were held.  Those were significant social events back in the day.

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I thought this was nice — I’m guessing it’s probably a product of the campus-wide remodeling project.  And it has the college’s correct name!  Beyond it is Seacobeck Dining Hall.

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The renovated outdoor deck, another apparent feature of the remodeling project.  I much prefer the unenclosed split-level deck that I remember.

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New Hall, old man.  My battery failed also before I could get pictures of the nearby light pole and the Fredericksburg municipal water tower, both of which I climbed on a dare, back in 1994 when I went through my “Spider-Man” phase while residing here. (That’s my senior year dorm room window behind me.)

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“The Bridge!”

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Mary Washington College, Fredericksburg, VA, June 2017 (4)

Pictured is Bushnell Hall at Mary Washington College in Fredericksburg, Virginia.  I lived here during the 1990-91 school year.  It was a freshman dorm then; I don’t know if that’s still the case.

I arrived here just before my 18th birthday; this was the first place I ever lived away from home.  I have never admitted it until this moment, but I was terrified watching my mother’s car pull away after I unloaded the last of my things.  That terror lasted … two hours?  Three?  After my first dinner with the other Bushnell kids at Seacobeck Dining Hall, Mary Washington College felt goddam perfect.  I never wanted to leave.

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My dorm room was on the bottom floor, second from the right in the picture below.  It was a suite — there were two rooms connected by a small bathroom.  And there were six 18-year-old boys living there — yes, that means three to a room.  Good lord, those were close quarters.  We were awakened twice a week by the BEEP-BEEP-BEEP of the garbage truck reversing to empty a dumpster outside our window.  And this was in a room without air conditioning, in Virginia, where teenagers were experiencing college-level academic stresses for the first time.  I helpfully eased tensions in the suite by playing Depeche Mode’s “Policy of Truth” 3,043 times.  The other five guys LOVED that.

There were even good-natured jabs connected with the North and the South.  I habitually and dryly referred to one of my suitemates as “South Virginia;” he addressed me just as dryly as “Long Island Piece of Shit,” (or just “L.I.P.S.,” for short).  He also took to calling me “Urban Spillover,” an appellation he derived from one of Dr. Bowen’s “Geography of North America” classes that mentioned Long Island.  For some reason, the latter nickname absolutely felt more pejorative.

Seeing those double white doors beside my room below, and that steep hill in the following photos, will always remind me of my 18th birthday.  A group of first-floor guys and fourth-floor girls had gathered inside that door just after moving in during the August of 1990, before classes started.  A polite debate stirred there about whether opening those doors would set off the fire alarm.  (They were clearly marked “Fire Doors” by an electric sign but … the LIGHT wasn’t on in the sign.  And surely the administration wouldn’t require the guys on my floor to walk up an entire flight to the lobby just to exit the building, right?)

Without a word of warning, one of the first-floor guys spontaneously decided to test this theory by just blasting right through it.  (No, it WASN’T me.)

The fire alarm went off.  Everyone panicked.  The guys and girls all shot down the hill outside Bushnell after the guy who’d triggered the alarm, and we all ran … right off campus.  We didn’t stop running until we’d reached somewhere along William Street, I think.

But not all of us escaped without injury.  One of my roommates was a tall, burly guy from right there in Fredericksburg, and he slipped in the sand and loose gravel that characterized that hill during that long ago August.  I still remember that dull, loud, discordant thump-and-rattle as his body hit the slope, while my own lungs were pounding.  When we reached the spot along William Street where our panic finally subsided, we all turned and gaped at his wound.  One of his legs had become a sepia Monet of sand-encrusted blood.  There were still pebbles clinging there, I’m sure of it.

He took it like a trooper.  I guess … he just walked it off.  And we walked around the ENTIRE town.  We were scared to return to campus, what with images of arrest and expulsion dancing in our teenage minds.  (We all might have overreacted a little.)  So we went on a truly lengthy hot summer trek that circled all of the historic downtown area.  (I think we wound up at Carl’s Ice Cream on Princess Anne Street at some point.)

That was really when I saw the City of Fredericksburg for the first time.  I remember thinking that the South seemed like some other world — or maybe the same world, but 100 years ago.  And I don’t mean that in any negative sense.  It genuinely confused me that this town was called a “city,” but it just seemed idyllic and old fashioned and beautiful.  I’m not sure if the average Fredericksburg resident realizes this, but their city indeed makes an impression on newcomers.

Somewhere along the way, I finally let it slip that the day was my birthday; I think heat exhaustion influenced my usual reticence on the subject.  A couple of the girls stole away to a card store on Caroline Street, I think, and bought a card for me.  My new friends all signed it for me upon our eventual return to Bushnell Hall that day (which was thankfully not occasioned by even a mention of the fire doors).  I went to bed that night thinking that my new friends were a pretty decent group.

Anyway — more on my roommate’s injury … he was a bit of an eccentric guy, and one of his eccentricities was that he did not like to go to the Campus Health Center.  He cleaned his long leg scrape himself, and then … bandaged it with duct tape.  That’s right — duct tape.  He’d apparently brought some along with him as an incoming freshman, just in case of an emergency.  You can’t say it was a needless precaution — here he was, using it in lieu of bandages.

He walked around campus like that for a while.  He looked a lot he was wearing part of an extremely low-budget “Robocop” Halloween costume.  I honestly don’t know what transpired when it came time to remove the duct tape, and I’m not sure I want to.

You can’t make this stuff up.

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This the dorm’s south side.  If you face Bushnell looking north, the southern cap of the rectangular campus will be at your back.  Today, it is is one the last places of the main campus’ 234 acres that remains undeveloped.

I’m not sure if there is any connection here, but there is a large mound of dirt among the trees and ivy that was rumored to be the remains of a Civil War fortification.  It makes sense — that hill commands a view of the city; that’s why I used to go there to have my once-a-day Newport menthol cigarettes around dusk.  And in the Nineteenth Century, before William Street’s more modern buildings were erected, I’ll bet you could see Marye’s Heights and the key sections of Sunken Road where the Battle of Fredericksburg raged.

I chatted with a girl on the steps of Bushnell once who told me she’d spoken with the ghost of a Civil War soldier.  She actually carried on a brief conversation with him.  She re-enacted the exchange after a some urging from me, but I wound up giving her story little credence.  I didn’t exactly believe in ghosts, and she sounded like an actress confused about a role.  (I wasn’t sure why her Confederate soldier would speak with a British accent.)

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Mary Washington College, Fredericksburg, VA, June 2017 (3)

Pictured are the Amphitheater, Mason Hall, The Link, Randolph Hall, Russell Hall, Brent House and Marshall Hall.

*****

The Amphitheater.  Sorry the first picture is so blurry.

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Me, performing “Richard III.”  “NOW IS THE WINTER OF OUR DISCOVFEFE.”  I was the toast of Sunken Road.  The performance was brief; I only know two lines of “Richard III” — one, if I get stage fright.

Seriously, though, if you people haven’t checked out David Morrissey’s treatment of its famous monologue, then you don’t know what you’re missing.  You can find it on Youtube.

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I have no idea who I am supposed to be saluting here.  My Alumbud taking the picture?  Any competent commanding officer would take one look at that gut of mine and then BUST ME RIGHT DOWN DOWN TO PRIVATE.

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Mason Hall and Randolph Hall, with the above-ground “Link” between them — a new product of the campus-wide remodeling.  Previously, there was a line of dorm rooms unofficially known as “The Tunnel,” beneath a massive stone porch overlooking Fredericksburg.  That porch was a great place to read, and I’m sorry to see it gone.

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Another blurry picture — this one of Russell Hall.  The old steps have been upgraded.

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Seen from Russell is … Brent Hall?  Is it weird if I have no memory of that building — and I lived right across the way over at Bushnell Hall?

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The parking lots at the southeast corner of campus, behind Russell and Marshall Hall.  Running behind those is Sunken Road, where a few of my friends had off-campus housing.  There was a smallish apartment building (north of this spot) where various classmates of mine in the early 1990’s could be found residing or visiting … was it called Sunrise Apartments?

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Marshall Hall.

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Route 3 East through Spotsylvania County, VA, June 2017

I hate to say it, but what you see below is now the last nice looking stretch of Route 3 East toward Fredericksburg.  It’s as though New York has come to Central Virginia, but not in a good way.  Just past this monument after Salem Church Road, there is a long, garish clutter of retail space that is typical of the “strip development” you would find on Long Island.

I’m honestly happy if the growth of Fredericksburg’s retail and service sectors have driven job growth.  (Hey, I used to live here.)

But it ain’t pretty.  I can’t help but wonder if the planning and zoning folks for Spotsylvania and Fredericksburg could have done a better job.

 

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“They hover as a cloud of witnesses above this Nation.”

“They hover as a cloud of witnesses above this Nation.” — Henry Ward Beecher

I wish everyone a safe and happy Memorial Day.

 

Photo: American flags sit at the gravesides of service members on Memorial Day at Arlington National Cemetery, Arlington, Va., May 30, 2016 (Photo by Senior Master Sgt. Adrian Cadiz.)

SD attends Memorial Day Ceremony

 

 

 

“Alien: Covenant” (2017) is a first-rate sci-fi horror show with lots of monstery goodness.

I am part of a happy minority where “Alien Covenant” (2017) is concerned — I keep hearing about “meh” or negative reactions from my friends, but I quite enjoyed it.  I’d rate it a 9 out of 10.

No, this second installment in the “Alien” prequel trilogy doesn’t bring much new to the table.  It often seems like a collection of common tropes, and borrows a bit from previous films in the franchise — especially the first movie in 1979.  Some aspects of it — like a predictable and slightly gimmicky development late in the story — even feel like horror movie cliches.  (I am doing everything I can to avoid spoilers, so forgive how vague I’m being here.)  “Alien: Covenant” isn’t groundbreaking, and it isn’t destined to be called a “classic.”

Here’s the thing, though — all of the movie’s common tropes are exactly what make fans happy.  Think about it … if you had to name two “Alien” movies as unique or the most divergent, they might be the heady, ambitious “Prometheus” (2012) and the baroquely experimental “Alien: Resurrection” (1997).  Whatever their failings, both of those movies deserve points for creativity.  And they are among the three films that fans hated the most.  (The third here is the smartest and most underappreciated installment, 1993’s brilliant “Alien 3.”)

With “Alien: Covenant,” Ridley Scott gives fans exactly what they were clamoring for — a frightening, gory, space-based horror film with creatively designed monsters and some nasty surprises.  It very much returns to the tone of the first film.  It is even jarringly darker than “Prometheus,” which was defined partly by its moments of cautious optimism.  And, more than any other sequel, it seems directly inspired by the grotesquerie of H. R. Giger’s original, nightmarish monster designs.  I feel certain this movie would have received the late artist’s blessing.  (I could name a certain scene and an excellent surprise story development, but I won’t.)

Michael Fassbender shined in his two roles here.  (He not only reprises his role as the android, “David,” but also portrays a newer model, “Walter.”)  The rest of the acting was roundly good too.

I also found the movie nice and scary.  I, for one, don’t think Scott’s direction of action scenes here is perfect.  (They are harder to follow here, for example, than his beautiful arena melees in 2000’s “Gladiator.”) But they were still effective.

So this return to form made me pretty happy.  I didn’t want another muddled attempt at profundity like “Prometheus.”  Nor did I want a winding, bizarre, arthouse-horror tale like “Resurrection” — that movie was like a poorly written, drug-fueled comic book.  I wanted a first-rate sci-fi horror show with lots of monstery goodness, and that’s what I got.

If I had to pick a criticism of “Alien: Covenant,” I’m surprised to have to point to some less-than-stellar CGI.  This was something I noticed from early trailers for the film, and I’m surprised I haven’t heard another reviewer mention in it yet.  One scene rendered a title baddie about as well as a modern video game, albeit a good one.  Another’s depiction of an upright “neomorph” seemed … fairly bad.  (Fans of decent creature features shouldn’t despair, however — there are still some outstanding monster moments, and no small amount of accompanying gore and goo.)  Have I just become spoiled by the amazing dinosaur effects of 2015’s “Jurassic World?”  I don’t think so … I suggest that the otherwise lamentable “Alien: Resurrection,” with its combination of CGI and practical effects, had far better creature effects than this newest outing.

Of course I recommend this movie.  Maybe I should only do so with the caveat that I am (obviously) a huge fan of the series.  It has been said that I’m easy to please, too — I actually gave a glowing review to “Prometheus” shortly after its release, before wiser minds pointed out to me its sometimes egregious flaws.  (A friend of mine shared with me one of those “Everything Wrong With” videos that CinemaSins produces … it’s a hilarious webseries, but it sure will dull the shine of some of your favorite movies, lemme tell ya.)  Your mileage may vary, especially depending on how much you enjoy horror movies, as opposed to more general science fiction.

Oh!  There is a mostly non-sequitur postscript that I can’t help but add here … yet another one of my movie prognostications was flat out wrong.  It isn’t a spoiler if it’s a far-out prediction that didn’t happen, so I’ll go ahead and share it here … during one of the ads for “Alien: Covenant,” I could swear I heard a character call out the name “ASH!!!!”  (I’ve evidently started hallucinating at the start of mid-life.)  I predicted that the new and robotic Walter would turn evil, and actually become the android named Ash in the 1979 original.  (And why not?  Androids do not age, and a web-based prologue for “Alien Covenant” suggests their faces can be easily swapped out.)  I further predicted that the more human David would be pitted against him in order to save humanity somehow from alienkind.  (These things do not happen.)

I still think that’s a pretty clever idea, though, even if I only accidentally arrived at it.  It would be great if that happened somehow in the planned “Alien: Awakening.”

 

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A few quick words on “24: Legacy” (2017)

I hate to say it, but “24: Legacy” (2017) was mostly average stuff; I’d give the 12-episode arc a 7 out of 10 for being a mildly engaging thriller, but nothing more than that.

I was one of the few people back in the day who opined that “24” could continue even without Kiefer Sutherland.  As priceless as he was in his role as anti-hero Jack Bauer, he wasn’t the only star of the show — the show’s gritty universe and its unique format could carry on without him.  I even thought, during the early years, that Fox was grooming Tony Almeida (Carlos Bernard) to be a viable lead if Sutherland departed.

I still think the show could manage without Sutherland.  The real culprit behind “Legacy’s” failure to stand out was its somewhat average writing.  It wasn’t bad, exactly … it was just average.  (Alright — for a little while, it was bad.  We see a key subplot/cliffhanger repeated three times, consecutively, in the same season. I’m surprised that major redundancy made it past the editing process.)  But mostly, it was average — we see thin staples of characters, and a plot that seemed largely reminiscent of … well, every other season of “24.”  (Admittedly, it must be tough after nine years to think up an original story for a serialized contemporary terror thriller in real-time format.)

The sad part is this — during the show’s final two or three episodes, it started showing more promise, with truly original plotting and unexpected conflicts.

The show got disappointing ratings.  We won’t know until at least May, but I think most viewers are guessing it won’t be renewed for another season.

 

“Life’s” a bitch.

Or at least it is to the astronauts who make an abortive attempt to escort it back to Earth.  (They realize that bringing a Martian organism home is a bad idea in this year’s surprisingly satisfying science fiction-thriller.)

I actually had more fun with this than I expected; the movie is much faster paced and scarier than the trailer made it look.  There are some real surprises and moments of genuine horror here, following a requisite plot setup that is relatively brief.  It’s a really nice monster movie that should please fans of the genre.

I actually didn’t prefer its ending, which is something for which other reviewers are praising it a lot.   I’m disinclined to say more, for fear of spoilers.  The movie’s marketing already spoiled enough.  (The ads infuriatingly show the fate of a main character.)

I will say what the movie is not, however.

One, it’s not a stealth prequel for Sony’s planned 2018 “Spider-Man” spinoff, “Venom” (though that’s such a clever idea, I wish I’d thought of it).

Two, it’s not a ripoff of Ridley Scott’s “Alien” (1979).  Yes, it’s got the same MacGuffin, and some story parallels that I noticed early on.  But I like to think of this as a more grounded contemporary thriller, where “Alien” was a futuristic fantasy creature feature.  Besides, if we criticize every “haunted-house-in-space” movie as an “Alien” imitator, we won’t get more of them.

I’d give this an 8 out of 10, and I’d recommend it.

 

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