Tag Archives: Eric Robert Nolan

Throwback Thursday: Invasion(s) of the Body Snatchers!!!

Below are the trailers for all four major film iterations of “Invasion of the Body Snatchers.”  Though these movies enjoy varying degrees of fame, they all remain close to my heart.  There is just something about Jack Finney’s original paranoia-inducing story idea that’s timeless and frightening.  (Finney’s 1955 novel served as the basis for the first film, directed by Don Siegel, a year later.)  And I always thought that the identity-stealing, alien body snatchers were an elegant monster concept too, because they can be rendered effectively on film with little or no special effects.

The first trailer is for the original 1956 classic, which still holds up surprisingly well.  (If you haven’t seen it, then you might discover that it’s got more urgency and less camp than you’d expect from a typical 1950’s alien invasion flick.)  The second trailer is for the genuinely frightening 1978 remake, which is, quite simply, one of the top science-fiction/horror films of all time.

I was introduced to both of these movies by my “movie uncle,” Uncle John.  I remember thinking the original was far better than I’d expected for an “old black-and-white.”  (I’d had a an adolescent’s predictable skepticism about old movies.)  And the dour 1978 masterpiece got under my skin and stayed there forever.

The 1993 installment, simply titled “Body Snatchers,” is probably the least well known —  I’ve never heard it mentioned outside of horror fan circles.  I myself had never heard of it until I stumbled across it in a video store more than a decade following its release.  It had a very limited theatrical release, and it sometimes feels like the most generic of the “Body Snatchers” movies — like maybe a made-for-television movie or an especially good entry for the first revival of “The Twilight Zone” (1985-1989).

I love it.  You could tell it was a labor of love for its screenwriters and its director, Abel Ferrara … it was obvious that they truly “got” Finney’s concept, and that they set out to deliver just what genre fans wanted.  This “Body Snatchers” was freaky, fast-paced and unsettling, and I still feel it deserves a broader following.

The fourth trailer is for the most maligned and recent adaptation of Finney’s novel, 2007’s “The Invasion.”  (My god, was this really made 13 years ago?  Tempus fugit.)  People really dislike this movie, despite a cast led by Nicole Kidman and Daniel Craig.  It was generally panned by both critics and audiences, and I sorta understand why.  It’s got its share of flaws — most notably a hasty happy ending that feels tacked on by the studio.  I don’t quite love it, but I really like it quite a lot — it’s stylish and ambitious and has a lot of creepy moments.  And if you think Nicole Kidman is easy on the eyes, as I do, you’ll see that she looks like a million bucks here.

If you really enjoy these films and are hungry for more, there are two other alien invasion movies that seem to channel the same muse as Finney’s.  The first is 1994’s “The Puppet Masters” by Stuart Orme.  (It should not be confused with its soundalike contemporary, the “Puppet Master” (singular) horror franchise, which depicts demonic dolls.)  “The Puppet Masters” is campy, but still very cool, and it adapts the eponymous 1951 novel by Robert A. Heinlein.

The second recommendation I’d offer is 1998’s “The Faculty.” It’s an even campier horror-comedy aimed more at mainstream audiences, but it’s still a lot if fun.

 

Have a Happy New Year, guys!

I hope that you have a safe, fun evening and that your year begins tomorrow with joy and hope.

 

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“THEY WERE KEEPING NEW YEAR’S EVE, AND WERE DRINKING SUCCESS TO THE NEW YEAR.” — from Hans Tegner’s Fairy Tales and Stories, 1900

It would be a hell of a lot of fun.

My latest brilliant idea — somebody should make a board game based on Dante’s Inferno. Like a send-up of Monopoly or Sorry.

Hell, you wouldn’t even need advertising art. All those Gustave Dore illustrations are in the public domain.

RUN WITH THIS, people.

 

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Pictured: fun.

 

 

Poetry, 2019

Hey, guys — if you happen to be amused by any of these poemy-type things that I repeatedly fumble at, you can find all of my 2019 publications right here:

Poetry, 2019

 

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“Her son, her daughter.”

Her son,

her daughter,

have the same happy eyes.

 

As though their auroral kindnesses

were a shining blue birthright —

a girl’s compassion can apprise

a legacy of sunlit skies.

 

(c) Eric Robert Nolan 2019

 

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Photo credit: Larali21 [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)%5D

It’s a Christmas Twitter Political Limerick Miracle.

So, dudes, this really cool thing happened during the first wee hours of Christmas 2019.  I couldn’t sleep (yet again) so I was Twittering in bed — I wound up responding to the #Dimerick hashtag, where people were poking fun of Donald Trump with limericks.  I wrote four.

George Conway retweeted two of them. (As you’re doubtlessly aware, he’s the husband of White House spokesperson Kellyanne Conway — which is funny, because he’s an outspoken and highly visible critic of Trump.  He’s also a very smart guy — if you’re not following him on Twitter, then you should remedy that right now. )

The two tweets just took off.  I got 8,000 “likes” on the first one that you see below, and 5.8 thousand “likes” on the second one.  (Both got more than a thousand retweets.)  All sorts of people were retweeting them at Trump, Mitch McConnell, and the rest of the Senate GOP leadership.  (If the secret police come for me, I love you all, by the way.)

I know it’s a silly thing to be proud of.  But these limericks are … my most popular poems to date.  I might have finally found my real niche.

Just for kicks, I’m sharing the other two that I wrote below as well.

 

Limerick 1

 

Limerick 2

 

Limerick 3

 

Limerick 4

Throwback Thursday: January 1, 1980 magazine covers

I hope that you are all looking forward to a rockin’ New Year’s Eve.  It’s hard to believe that we are not only ringing in a new year, but also a new decade — “2020” still sounds like science fiction to me.

Where does the time go?  Somewhere irretrievable.

Anyway, here’s a couple of Pinterest finds for my fellow 1980’s nostalgia nerds.  (We’ve got a nice little subculture goin’ on Facebook.)  These are a few covers from January 1, 1980 (or in the case of the weekly TV Guide, the decade’s first full week).  Try to wrap your head around the fact that, in a few days, the decade will have begun a full forty years ago.

Oh … I couldn’t resist throwing in a couple of comic book covers dated January 1980, too.  I actually had that issue of “Battlestar Galactica.”  I still remember it sitting in a stack at the bottom of my closet, with one or two others — vastly outnumbered by “Sgt. Rock” and various “Archie” titles.

 

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Merry Christmas, all!!

I wish you and your families a very Merry Christmas and a Happy, Peaceful, Prosperous New Year!

 

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A friend of mine wrote me a “Twilight Zone” intro and I love it.

His name is J. Sebastian Cunningham and he is a damn fine satirist.  This still cracks me up every time I read it.  (The James Woods reference is a nod to my resemblance to the actor.)  Thanks again, J.

What was old is now new again.

Enter a complex yet unassuming man.  One, well versed in word, both written and spoken.  A man followed modestly by a people hungry for prose.  A man that didn’t disappoint.  Enter the writer’s mind, if you will, into the dark recesses of a James Woodian insanity that no Shakespearean play could duplicate, let alone imitate.  Enter the mind of greatness and madness. Enter a mind living in…

The Twilight Zone.

 

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Illumen to feature “Smiling Among Inert Shipwrecks” in its Spring 2020 Issue.

Hey, I got one really terrific early Christmas present — Illumen will publish a poem of mine, “Smiling Among Inert Shipwrecks,” in its Spring 2020 issue.   This will be the second time that the print-only publication has featured my work — the first was when Illumen published my “Three Dreamers” set of poems back in 2013.

Illumen is a speculative poetry journal that is released quarterly by Alban Lake Publishing.  Its editorial focus is to “describe other worlds in poetic prose, challenge heroes and villains with eloquent words, show the nightmare of real life in all its disgusting mud and muck.”  It’s a wonderful place for a writer to see their creative work appear, and I’m grateful to Editor Tyree Campbell for allowing me to share my voice there.

 

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